Umělec magazine 2010/1 >> A reevaluation of reevaluations List of all editions.
A reevaluation of reevaluations
Umělec magazine
Year 2010, 1
6,50 EUR
7 USD
Send the printed edition:
Order subscription

A reevaluation of reevaluations

Umělec magazine 2010/1

01.01.2010

Palo Fabuš | editorial | en cs de


We have just had the end of a decade, with all the requisite media retrospectives and reevaluations. Although the tendency to review and analyze has been ascribed to the entire modern era, it would seem that there has been an upsurge in looking back into the past. It has been said that the 20th century came to a close with the events of September 11, but we still seem to be coming to terms with its end to this day. I am thinking about the globalized environment in which the tremors emanating from the centers may be weaker, but in places like Eastern Europe they still resonate with the memory of the political changes twenty years earlier.
One feature of globalization is ubiquity, a concept that can be explained in any number of ways and which in recent times some of the loudest technophiles have adopted as their banner. In its ambivalence, however, it is like writing on the wall which we don’t know is an honest warning or just needlessly frightening us. But since we are on the subject, let us summarize: apoliticality and the politicalization of the everyday are but two sides of the same coin; art no longer produces any isms and, as a result of insatiable aestheticization, has become merged with life; the amount of music being produced and listened to is directly related to the lack of new musical legends; the fatally discredited institution of advertising finds refuge among seemingly innocent discussions among friends; the boundary between the public and private is disappearing; multimedia has occupied the last empty spaces in our daily life and it has become practically impossible to separate work from free time.
Just as collectors collect only because of their passion for collecting, history – as the collection of images and ideas – has no meaning on its own. In giving it meaning and purpose in the past, people tried to build a bulwark against chaos – which it ineluctably is if we strip it of the human dimension. Fear of chaos is the fear of the too-rapid cycle of creation and decline that we sometimes feel today. But like ignorance, the accumulation of historical memory requires limits as well.
Reevaluations of any kind tempt one to a make a clean break, to engage in the modernist compulsion of looking for universalism and a new direction, to ask Chto delat, and to neurotically grasp at impersonal ideals and pre-chewed labels. I am not suggesting that we leave things to run their own course – quite the opposite, in fact. We may be tempted to do so by our autopilot – because of the guardrails and directional arrows posted for me by others. I am talking about a return to personal responsibility, to the self at the center of a shared universe – a responsibility that needs to be repeatedly pulled out from underneath the accumulated deposits of ubiquitous images. If we postpone our life in the hopes that it will somehow find its own way to us, then we place the world in which we live into the hands of others... forgetting that “those others” is us as well.




01.01.2010

Comments

There are currently no comments.

Add new comment

Recommended articles

Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
Le Dernier Cri and the black penis of Marseille Le Dernier Cri and the black penis of Marseille
We’re constantly hearing that someone would like to do some joint project, organize something together, some event, but… damn, how to put it... we really like what you’re doing but it might piss someone off back home. Sure, it’s true that every now and then someone gets kicked out of this institution or that institute for organizing something with Divus, but weren’t they actually terribly self…
Nick Land – An Experiment in Inhumanism Nick Land – An Experiment in Inhumanism
Nick Land was a British philosopher but is no longer, though he is not dead. The almost neurotic fervor with which he scratched at the scars of reality has seduced more than a few promising academics onto the path of art that offends in its originality. The texts that he has left behind are reliably revolting and boring, and impel us to castrate their categorization as “mere” literature.
African Vampires in the Age of Globalisation African Vampires in the Age of Globalisation
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."
04.02.2020 10:17
Where to go next?
out - archeology
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
Josef Jindrák
Who is S.d.Ch? A person of many interests, active in various fields—literature, theater—known for his comics and collages in the art field. A poet and playwright foremost. A loner by nature and determination, his work doesn’t meet the current trends. He always puts forth personal enunciation, although its inner structure can get very complicated. It’s pleasant that he is a normal person and a…
Read more...
out - poetry
THC Review and the Condemned Past
THC Review and the Condemned Past
Ivan Mečl
We are the fifth global party! Pítr Dragota and Viki Shock, Fragmenty geniality / Fragments of Charisma, May and June 1997. When Viki came to visit, it was only to show me some drawings and collages. It was only as an afterthought that he showed me the Czech samizdat publication from the late 1990s, THC Review. When he saw how it fascinated me, he panicked and insisted that THAT creation is…
Read more...
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Read more...
birthing pains
Who’s Afraid of Motherhood?
Who’s Afraid of Motherhood?
Zuzana Štefková
Expanding the definition of “mother” is also a space for reducing pressure and for potential liberation.1 Carol Stabile The year was 2003, and in the deep forests of Lapák in the Kladno area, a woman in the later phase of pregnancy stopped along the path. As part of the “Artists in the Woods” exhibit, passers-by could catch a glimpse of her round belly, which she exposed especially for them in…
Read more...
Books, video, editions and artworks that might interest you Go to e-shop
Again and again, art is being redefined. Artists, philosophers, critics – everyone has their own definition. Instead of...
More info...
4 EUR
4 USD
More info...
6,50 EUR
7 USD
More info...
6,50 EUR
7 USD
Not everyone has the courage to venture into the amorphous regions of his own emotional life, for it is a journey into the...
More info...
18,40 EUR
19 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Citation of the day. Publisher is not liable for any mental and physical states which may arise after reading the quote.

Enlightenment is always late.
CONTACTS AND VISITOR INFORMATION The entire editorial staff contacts

DIVUS LONDON

 

STORE
Arch 8, Resolution Way, Deptford

London SE8 4NT, United Kingdom
Open on appointment

 

OFFICE
7 West Street, Hastings
East Sussex, TN34 3AN
, United Kingdom
Open on appointment
 

Ivan Mečl
ivan@divus.org.uk, +44 (0) 7526 902 082

DIVUS
NOVA PERLA
Kyjov 37, 407 47 Krásná Lípa
Czech Republic
divus@divus.cz
+420 222 264 830, +420 602 269 888

Open daily 10am to 6pm
and on appointment.

 

DIVUS BERLIN
Potsdamer Str. 161, 10783 Berlin
Germany

berlin@divus.cz, +49 (0) 1512 9088 150
Open on appointment.

 

DIVUS WIEN
wien@divus.cz
DIVUS MEXICO CITY
mexico@divus.cz
DIVUS BARCELONA
barcelona@divus.cz
DIVUS MOSCOW & MINSK

alena@divus.cz

DIVUS NEWSLETTER SUBSCRIPTION
Divus New book by I.M.Jirous in English at our online bookshop.