Umělec 1/2002 List of all editions.
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Ročník 2002, 1
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Markéta Uhlířová | recenze | 01.01.2002
ROZPLÉTÁNÍ MUNIZOVÝCH OBRAZŮ (VIK MUNIZ, GALERIE BRENT SIKKEMA, NEW YORK
recenze | 01.01.2002
TOMÁŠ POSPISZYL: HLEDÁNÍ ZTRACENÉ KULTURY (ČESKÉ UMĚNÍ 1938 - 1989, ALTERNATIVNÍ KULTURA)
Umělec retro | 01.01.2002
UMĚLEC
Jeffrey A. Buehler | umělec | 01.01.2002
ALEXIS VAILLANT, JEFFREY A. BUEHLER: PODIVNÉ FIKCE (BRICE DELLSPERGER)
Situations, Circumstances and Particips Vít Havránek | profile | 01.01.2002
SITUATIONS, CIRCUMSTANCES AND PARTICIPS
"“It was at the time when I was working with the phenomena of surface adjustments, transparency, reflection — reflection of a situation within an image and the theme on the margin of the image — that was when I started using stencils, spray paint, varnished surfaces and sheets of plastic.” And so Czech artist Tomáš Vaněk abandoned oils to look for something else, something traditional canvas…
Ivan Mečl | crossover | 01.01.2002
ZBLOUDILÍ BOJOVNÍCI
Jean-Francois Moriceau & Petra Mrzyk art project | 01.01.2002
JEAN-FRANCOIS MORICEAU & PETRA MRZYK
Jean-Francois Moriceau (1974) & Petra Mrzyk (1973) are artists.
profil | 01.01.2002
KAREL CÍSAŘ: BÍLÉ STÍNY (MARKÉTA OTHOVÁ)
Art and the “Big Corporation” (An interview with art critic Frank Perrin) Anaid Demir | paris | 01.01.2002
ART AND THE “BIG CORPORATION” (AN INTERVIEW WITH ART CRITIC FRANK PERRIN)
"An uneasy economic and artistic situation reigned in 1992 when art critics Frank Perrin and Armelle Leturcq decided to launch their revue Bloc Notes, which became one of the pivotal young magazines devoted to contemporary French art. In 1998, the same duo took over the reins of the magazine Crash, which folds all the art disciplines, from music to art to fashion, into one uniform package. At a…
Meste, Manet, Marcos & Co. (Philippe Meste) Supplement to a Program of Global Mutation in the State of Prevailing Misery That Constitutes Our Time. Frank Perrin | paris | 01.01.2002
MESTE, MANET, MARCOS & CO. (PHILIPPE MESTE) SUPPLEMENT TO A PROGRAM OF GLOBAL MUTATION IN THE STATE OF PREVAILING MISERY THAT CONSTITUTES OUR TIME.
"1997: In the hypermarket equipped with artistic attitudes and services of all kind, in the department of marked-down performances, promotional hangings and departmental directors focused on their coming programs, what sort of event are we still capable of? What are we the bearers of? The cashier watches contempt and dismay. They call themselves artists. They will enter a new millennium and do…
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Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.
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