Umělec 3/2005 List of all editions.
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Ročník 2005, 3
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Koschei the Deathless, Mermaid, and other… Natalia Filonenko | Ukraine | 01.03.2005
KOSCHEI THE DEATHLESS, MERMAID, AND OTHER…
Painting is probably one of the oldest forms of cultural communication. This is why the different stages of its fate - failure or end, return or success - are all the time the focus of attention of the artistic world. Today, interpretation of painting evolution is more complicated than that of relatively new genres such as photo or video as it has always been a rule to refer the action on canvas…
In expectation of reloading: Ukrainian Media art Jekaterina Stukalova | Ukraine | 01.03.2005
IN EXPECTATION OF RELOADING: UKRAINIAN MEDIA ART
Paraphrasing Voltaire, one could say that if contemporary art did not exist in Ukraine, it would be necessary to invent it. Fortunately, contemporary art does exist in Ukraine. But the mere fact of its existence seems increasingly paradoxical: contemporary art depends directly on the degree of development of art infrastructure and cultural policy of the state. For almost twenty years, this…
Art & Garbage or Recycled Esthetics in Post-war Central Europe (1917-2005) Tony Ozuna | waste | 01.03.2005
ART & GARBAGE OR RECYCLED ESTHETICS IN POST-WAR CENTRAL EUROPE (1917-2005)
At the end of the disastrously bloody massacre known as World War I, the disillusioned ex-solider Kurt Schwitters (1887-1948) became an artist, first joining the Dadaists but ultimately he staked a claim in art that was not solely a part of that group. The German Dadaists were attracted to and concentrated in Berlin, but Schwitters was a good distance from there, firmly rooted in his “provincial”…
Germany in Contemporary Chinese Art Leng Lin | china | 01.03.2005
GERMANY IN CONTEMPORARY CHINESE ART
The Reunification of Germany eliminated the most significant ideological antagonism from contemporary history. Socialism and capitalism no longer stand pitted against each other; in the new reality the former Eastern bloc countries are in fact interconnected with the West. Retrospectively, socialism became an abstract ideal, and at the same time capitalism is taking its toll. The historical…
Viktor Špaček, I like things, those quiet comrades Lenka Klodová | new faces | 01.03.2005
VIKTOR ŠPAČEK, I LIKE THINGS, THOSE QUIET COMRADES
While driving on the smooth highway leading from Dresden to Berlin, with its rhythmical multitudes of street lamps, serpentine crash barriers and traffic lights flashing by, I recalled Viktor Špaček more vividly. Born rather than created, technical elements are rooted in norms and laws, transcending the limitations of human production. They originate neither through chan-ce nor human caprice; we…
SLIDers Jana Kalinová | review | 01.03.2005
SLIDERS
Barbora Klímová, Pražák Palace, Atrium, Moravian Gallery in Brno, Moravské Square, Brno. June 17 – August 28, 2005 According to artist Barbora Klímová’s instructions, switches were installed on the sodium street lamps on Moravské náměstí, the main square of the Czech Republic’s second city, Brno. They functioned on the basis that makes a light switch on when one approaches a front door or by…
READ THIS TEXT Travis Jeppesen | review | 01.03.2005
READ THIS TEXT
Text Ground Curated by Cosmi Costinas Display Gallery, 04.28 -05.17 The first thing you see upon entering the gallery are the following words written on the back wall in neon orange spray paint by Mircea Cantor: COLLECTIVE MEMORY ITEMS + LAYERED REALITY SPECULATIVE UNDERSTANDING DISCIPLINARY INFUSION SYSTEMATIC ASSOCIATIONS CONFIRMED MODELS = ? A huge block of blue paint covers the wall to…
Good Girls Go to Heaven, Bad Girls Can Go Everywhere Ivana Moncoľová | review | 01.03.2005
GOOD GIRLS GO TO HEAVEN, BAD GIRLS CAN GO EVERYWHERE
Aneta (19X5) and Lucia (19X7): video queens, cultural provocateurs, femmes... Aneta Mona Chisa (assistant to Miloš Bielický at the Prague School of Fine Arts) and Lucia Tkáčová (assistant to Ilona Németh at the Bratislava Academy of Fine Arts and Design, and co-founder of Bratislava’s HIT gallery) presented an exhibition during the Multiplace festival entitled Most of all We’d Love to Have Sex…
This Will Always Be Beautiful Jiří Ptáček | review | 01.03.2005
THIS WILL ALWAYS BE BEAUTIFUL
Vladimír Skrepl, A. M. 180 Prague, April 1 -15, 2005 “The independent creative and promotion collective,” A.M. 180 devotes itself to music production and also organizes art exhibitions, applying different rules for its different activities. It invites musicians from all over the world who know what DIY means and who are ready to accept lower fees than in the West. But in its gallery, in…
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