Umělec 5/2000 Просмотр всех номеров
Журнал Umělec
Ročník 2000, 5
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informace | 01.05.2000
TIP ZCCA: KURÝR
I Am a Photograph Jeffrey A. Buehler | disco | 01.05.2000
I AM A PHOTOGRAPH
A photograph is a moment in time captured ostensibly for all eternity, but time in its inexorable indifference ultimately finds ways to curl the edges, fade once resolute memories opaque. Ask anyone under the age of 30 who Amanda Lear is and you’ll probably get nothing more than a puzzled look. Few remember the pop-disco sensation of the late 70s and early 80s when 15,000 people stood outside a…
Savages, Barbarians and Civilized Men Scott MacMillan | focus | 01.05.2000
SAVAGES, BARBARIANS AND CIVILIZED MEN
"“Soon the people will decide that they want their land to be part of today’s monstrous world, and once that happens, it will all be over. As soon as you have that desire, you are infected with the deadly virus, and you begin to show symptoms of the disease. You live in terms of time and money, and you think in terms of society and progress. Then all that is left is for you to kill the other…
Prague Street Clashes as a Major Work OF Art Barbara Schurz, Alexander Brener | focus | 01.05.2000
PRAGUE STREET CLASHES AS A MAJOR WORK OF ART
"On 26 September 2000, several thousands demonstrators realized a truly magnificent work of art in Prague—a demonstration that lead to street clashes with the police and a number of broken windows. Long live artistic production! We however wish to postulate that this event, pulsating like the heart of a sperm whale aboard a whaler, was not part of the slowly expiring 20th century. It was already…
Who, How and for Whom (152 years later) Saša Glavan | focus | 01.05.2000
WHO, HOW AND FOR WHOM (152 YEARS LATER)
"The initial idea that triggered the concept for the exhibition What, How and for Whom at the Croatian Association of Artists in Zagreb, Croatia, 16 June 2000 dates back to 1998 when the activist organization and publishing house Bastard/Arkzin republished The Communist Manifesto to mark its 150th anniversary. Only at first glance does this decision seem like a nostalgic gesture completely devoid…
Raimar Stange | focus | 01.05.2000
EXPOSITION 2000
I. Time and Space“Welcome to Hannover, the city of trade fairs” read a sign greeting visitors at the main train station in Hannover in 1981. It is common knowledge here that the Hannover trade fair was conceived in response to the first largest trade fair in Germany ending up after World War II in Leipzig, in the territory of the (socialist) German Democratic Republic. Concurrently, in 1981, the…
waanja | 01.05.2000
APOCALYPSE NOT NOW
Karel Císař | umělec | 01.05.2000
LÁSKA NA POSLEDNÍ POHLED (GILLIAN WEARING)
Tomáš Lahoda | architektura | 01.05.2000
KULTURA ZÁŽITKŮ ANEB A NENÍ A
Vladan Šír | media | 01.05.2000
EXPLODING CINEMA
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04.02.2020 10:17
Knihy, multimédia a umělecká díla, která by vás mohla zajímat Войти в e-shop
Mother, 1994, acrylic painting on paper, 35 x 22,5 cm, framed
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690 EUR
727 USD
2001, 20.3 x 25.4 cm, Painting on Canvas
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445,20 EUR
469 USD
print on durable film, 250 x 139 cm, 2011
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799,20 EUR
842 USD

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