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Umělec 3/2005

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	Maja a Reuben Fowkes \| profile \| 01.03.2005
	LITTLE WARSAW 2002-2004: DISPLACED MONUMENTS AND DECONSTRUCTIVE STRATEGIE
	On the occasion of their presentation in Galerija Balen, Slavonski Brod, in January 2005, the Hungarian group Little Warsaw presented a summary of projects carried out in the last two years. Several recurring preoccupations and common strategies in their practice emerged in the course of the talk. Points of reference included the properties of public space, the tension between monuments and…

	Vlado Beskyd \| profile \| 01.03.2005
	CYRIL BLAŽO - DOUBLE EXPOSITION OF SKETCHES
	Among young artists with a post-conceptual orientation emerging on the Slovak scene during the last decade is Cyril Blažo, born in Bratislava, 1970. He alters the coding of old signs, rendering them abstruse and setting them free. During his studies (VŠVU Bratislava 1988-94) Blažo founded Blondiak (Blond Guy), a loose grouping in collaboration with Boris Ondreička and Stano Dančiak Jr., where…

	Tony Ozuna \| sound art \| 01.03.2005
	SOUNDS LIKE ART
	Kim Gordon, of Sonic Youth, expresses a common feeling while interviewing Rodney Graham, a Canadian multimedia artist, for Bomb Magazine. She says, “The thing about music that I find so interesting, not to be pompous about it, is that it’s like architecture. You carry it with you; it changes your mood. It transforms whatever environment you’re in, and it transforms your inner environment, your…

	Tomáš Pospiszyl \| studie \| 01.03.2005
	JAZZ FROM SUN TLEN
	Artists on the boundary between the fifties and the present day between high art and design between traditional technique and computer technology between painting and story A lot of ink has been spilled over the fate of painting lately. Its “new waves” are declared nearly every day according to marketing needs of gallery owners and curators whose rhetoric reflects little of any real crisis or…

	Mihnea Mircan \| study \| 01.03.2005
	NOT THAT PAINTING, THE OTHER ONE
	The exhibition at Bucharest’s new Museum of Contemporary Art, The Painting Museum, is a study of the portraits and styles of portraiture associated with Romania’s Communist dictator Nicolae Ceauşescu, and depictions of socialist progress. Never seen juxtaposed outside their original context, these paintings—presented in a panoply of styles inside an edifice that formerly served as Ceauşescu’s…

	Mirjam Struppek \| video in a public space \| 01.03.2005
	VIDEO ART INVADING THE VISUAL SPHERE OF OUR PUBLIC SPACES
	In February 2004, I was commissioned to take a survey for an artistic initiative from Düsseldorf called STRICTLY PUBLIC. Since 2000, their vision has been to bring video art to the public in a variety of urban settings like subway- and train-stations, squares and intersections, suggesting that the urban environment is linked to the fleeting and ephemeral nature of video art. Large public screens…

	Denisa Kera \| psychogeography \| 01.03.2005
	PSYCHOGEOGRAPHY: CITY, UTOPIAS AND MAPS
	There is an apparently haphazard stain across an invitation to the vernissage of South Korean art group Flyingcity’s psychogeographic exhibition at the Display gallery in Prague that covers a map of Seoul. That spot opens space for investigation. What is the origin of the stain? Be it dramatic (blood), or purely trivial (coffee), the shape on the map demarcates and creates a new territory. The…

	Alena Boika \| Ukraine \| 01.03.2005
	HOW UKRAINIANS WERE LOOKING FOR HAPPINESS
	Not everybody loves revolutions. One person is afraid of them and hates them; someone else hides behind hypocritical clichés. I adore revolutions. It is the time when the overwhelming majority gets to forget any tendency to think about washing machines, albeit briefly. And all those joyful feelings burst forth “We will win” and “Everything is yet to come.” I was fortunate to be able to go to…

	Natalia Filonenko \| Ukraine \| 01.03.2005
	FROM BLANK SPOT TO EXOTIC MARGINALIA
	Culture Policy in Post-Revolution Ukradne According to Boris Groys, art and policy operate in the same space today. We live in a society in which every major politician generates many more pictures and images than any artist. Even second-rate terrorists and politicians are much more effective than the most famous artists. Terrorists blow up a bomb, and the entire world’s media network along…

	Natalia Filonenko \| Ukraine \| 01.03.2005
	EVERYDAY LIFE
	Everyday Life is a title that can unite several new projects created by Ukrainian painters. Maxim Mamsikov’s penchant is the everyday life of present-day offices and streets. Vasily Tsagolov is curious about the life of criminals, and Vladimir Kozhukhar takes an interest in the reality of hypermarkets. So, their choice to work with “slow” genres such as painting and sculpture may seem an…

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Цитата дня Издатель не несет ответственности за какие-либо психические и физические состояния и расстройства, которые могут возникнуть по прочтении цитаты.
“	Enlightenment is always late.