DIVUS

Umělec 4/2007

Статьи

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	Rubén Bonet \| borderlands \| 01.04.2007
	(IN)VISIBLE ART
	If art has died, or the audience has withered away, then we would find ourselves free of two dead weights. Hakim Bey Our position is that of fighters between two worlds, one we don’t know and one which no longer exists Raoul Vaneigem inSITE 05. Art Practice in the public domain. San Diego/Tijuana At a cost of two million dollars, the inSITE 05 art-action was presented along the frontier…

	Robert Rigney \| serbia \| 01.04.2007
	TESTOSTERONE: A BELGRADE DIARY
	The taxi driver drew our attention to an interesting contrast? on the one side of the street the glittering glass façade of the Hotel Intercontinental, where Arkan, Serbia’s notorious war criminal and mafia boss was gunned down in the hotel lobby in 2000, and opposite, squeezed between freeway overpass and train tracks, one of Belgrade’s biggest gypsy shantytowns, a sprawling mess of…

	Sasa Janić \| serbia \| 01.04.2007
	THE MILITANT AESTHETIC OF MIHAEL MILUNOVIĆ
	The contemporary art scene in Serbia is currently in an unenviable, albeit interesting position. Amidst the ebb and flow of the contemporary art system and the driving force of capitalist logic, the Serbian art scene is beginning to come into its own. Escaping from the burdensome weight of history and the widespread military influence of the nineties, it is addressing basic existential issues…

	Edith Jeřábková \| profile \| 01.04.2007
	SLÁVA SOBOTOVIČOVÁ - JUST SHORTEN IT!
	An ideal article about Slava Sobotovičová would take the shape of a radically edited work of Dostoevsky, but we’ll deal with that some other time. E. J.: How should I address you in this article? Sláva Sobotovičova? Sláva S., S.S. or perhaps just S.? S. S.: Just shorten it. I have a long name. S. does not build upon or follow any set form of art or artistic tradition. Her works fall outside…

	Palo Fabuš \| new face \| 01.04.2007
	PAVEL STEREC PROFIL OR NEW FACE
	Language, conditions for communication, and even the inexplicability of supra-individual phenomena at the personal level are topics that Pavel Sterec addresses in his work. A student of the Prague School of Arts (AVU), working in Miloš Sejn’s studio for conceptual design, his works define motivation and position as well as the general conditions for artistic production and…

	Lenka Vítková \| silverprint \| 01.04.2007
	YOUNG MAN WITH A MINOLTA AROUND HIS NECK
	Photographs from the 1970s in ČSR (Czechoslovak Republic), Gallery U Bílého jednorožce, Klatovy, curators Jan Freiberg and Pavel Vančát, September 2 – October 28, 2007. Czechoslovaks expected normalization to set in after the withdrawal of Soviet troops from our land. In Gustáv Husák’s opinion, however, the so-called “normalization conditions” had to be imposed with the occupants still in…

	Konstantin Rubahin \| east of eden \| 01.04.2007
	THE OTHER HALF OF KOREA
	This is how it all started: I needed to be in Paris urgently. A tourist agent, my friend, failed to get me a visa during a three-day period and I called Misha Kukushkin, an experienced traveler and journalist, to ask for suggestions. He suggested that I go with him to North Korea the next day. Those who don’t know how to communicate with North Koreans won’t understand that if they promise to…

	Tony Ozuna \| as seen on tv \| 01.04.2007
	LOW BROW DE LOS ANGELES
	What should a group of artists do when they don’t like the name they’ve been identified with by dim and vicious art critics and the media? This is just one of the plights of Los Angeles artists tagged as “Low Brow,” in the documentary film “The Treasures of Long Gone John” by Gregg Gibbs. Gibbs’ movie describes the life of shaggy-haired, fun-loving, Long Gone John, an obsessive “low …

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