Zeitschrift Umělec 2000/1 >> Why do so many frightening things go through such a boom? Übersicht aller Ausgaben
Why do so many frightening things go through such a boom?
Zeitschrift Umělec
Jahrgang 2000, 1
30 EUR
32 USD
Die Printausgabe schicken an:
Abo bestellen

Why do so many frightening things go through such a boom?

Zeitschrift Umělec 2000/1

01.01.2000

Tomodachi no Uranchan (Přátelé Uranové dívky) | japan | en cs

"Super Idols

Gentaro Araki considers himself a false alchemist rather than a figurative sculptor. His company produces incredible characters—figures whose appearance and themes are far from ordinary commercial toys. Araki’s play with gender ambiguity, which is so typical for contemporary Japan, attracts attention on the one hand and is fiercely criticized on the other. This may be the reason why otaku (an indulgence in or mania for making small hyper-realistic figures) is disgusting for some. In any case, his work very quickly became famous. Gendaro is currently working on a 3D picture book.

Hinano Yoshikawa
This doll was created simultaneously with photographic books with the aim to create the symbol of a young, living actress in 2D and 3D. Concurrently, he decided to realize two further forms: Hinano Yoshika-wa—“Natural” and “Illusive” in which the actress was photographed outside with her face naked, while the other was a virtual Hinano of the hallucinatory world.
The dolls Gentaro created—“Black Made”—are models that are intended to resemble the atmosphere of selected fantasy. Gentaro’s limited 500 pieces are all hand-made. When interviewed, he spoke of how difficult it was to make a doll’s face so that it resembled Hinano as much as possible. For this project, he created approximately twenty prototypes. Completing them took two months, half of which was reserved for making Hinano’s face. Models usually take two or three weeks to make.
Before the project began, Japanese TV had been showing the film Illusive Midnight in which Hinano Yoshikawa played the main double-role, a real girl and her identical robotic copy. In one of the scenes, Hinano Yoshikawa asked her boyfriend which of the two he liked more, which of them was more attractive and magnetic.

The Power of Number Eight
(a review in the confessional style by an anonymous author)
“Yeah, it ain’t easy. He’s a robotic boy, which is obvious from the slightly open square on his little chest. I’ve never experienced such excitement!
This doll is a boy—a robot that boasted seven powerful abilities, and he has just discovered the eighth. Perhaps this is what is so attractive about this doll. Perhaps there is a little bit of calculation. Otherwise, I don’t understand how an adult person could be so strongly attracted to dolls. It’s not just a hobby, and it’s not about innocence at all. Despite millions of various forgivenesses, this type of hobby is obscene.
But it’s my problem, don’t you think?
Remember. Go back to when you looked at the doll for the first time; you must have felt that there was something really weird and dangerous about it. Look, the reason why a beautiful girl attracts modern guys could be because their manhood and self-indulgence is mirrored in this principle.
A really complicated idea on how to define love in its virtual form.
Suppressing fear of personal and social destruction in the moment of your confession. In the near future, Japan will definitely be inhabited by a majority of Androids. Now that human figures are embodied in virtual toys that are becoming more and more popular, it is rather alarming.
Do you want to live through that?”

Robin Kun—his charm is in his hermetically tight leather suit. Any character who was to be his partner would have real problems with him.

Win–09—his first name is “Wiener Kun.” He really gets you if you turn one of the parts into a different mode. He comes with three extra parts, including a hard-on that could also be used as a stand for rings. Great present for girlfriends.

The Cute Boy Figures of Gentaro Araki
These dolls are not only made for girl-fans. Even though they appear at first sight as if they were made from the female perspective, they represent a very male view of cute boys. There is just something about them, and that is why I don’t want to make female figures. Also, all female or girl dolls that are made by men seem to lack anything female about them. That’s why. It is a materialization of personal obsession and satisfaction. There’s no room at all for the reflection of a woman. It’s a totally personal work, and anything else becomes an obstacle. Do you think this obsession of dealing with so many things is wacky? Spoiled childhood? Why do so many frightening things go through such a boom?
The answer is clear. Everybody is innocent, selfish and spoiled just like kids. Most people think that everything around is obstacles, even themselves. So is this all right? My anxiety and desire are burning every day.
"




Kommentar

Der Artikel ist bisher nicht kommentiert worden

Neuen Kommentar einfügen

Empfohlene Artikel

Terminator vs Avatar: Anmerkungen zum Akzelerationismus Terminator vs Avatar: Anmerkungen zum Akzelerationismus
Warum beugt ihr, die politischen Intellektuellen, euch zum Proletariat herab? Aus Mitleid womit? Ich verstehe, dass man euch hasst, wenn man Proletarier ist. Es gibt keinen Grund, euch zu hassen, weil ihr Bürger, Privilegierte mit zarten Händen seid, sondern weil ihr das einzig Wichtige nicht zu sagen wagt: Man kann auch Lust empfinden, wenn man die Ausdünstungen des Kapitals, die Urstoffe des…
Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
MIKROB MIKROB
There’s 130 kilos of fat, muscles, brain & raw power on the Serbian contemporary art scene, all molded together into a 175-cm tall, 44-year-old body. It’s owner is known by a countless number of different names, including Bamboo, Mexican, Groom, Big Pain in the Ass, but most of all he’s known as MICROBE!… Hero of the losers, fighter for the rights of the dispossessed, folk artist, entertainer…
Ein Interview mit Mike Hollands Ein Interview mit Mike Hollands
„Man muss die Hand von jemandem dreimal schütteln und der Person dabei fest in die Augen sehen. So schafft man es, sich den Namen von jemandem mit Sicherheit zu merken. Ich hab’ mir auf diese Art die Namen von 5.000 Leuten im Horse Hospital gemerkt”, erzählte mir Jim Hollands. Hollands ist ein experimenteller Filmemacher, Musiker und Kurator. In seiner Kindheit litt er unter harten sozialen…
04.02.2020 10:17
Wohin weiter?
offside - vielseitig
S.d.Ch, Einzelgängertum und Randkultur  (Die Generation der 1970 Geborenen)
S.d.Ch, Einzelgängertum und Randkultur (Die Generation der 1970 Geborenen)
Josef Jindrák
Wer ist S.d.Ch? Eine Person mit vielen Interessen, aktiv in diversen Gebieten: In der Literatur, auf der Bühne, in der Musik und mit seinen Comics und Kollagen auch in der bildenden Kunst. In erster Linie aber Dichter und Dramatiker. Sein Charakter und seine Entschlossenheit machen ihn zum Einzelgänger. Sein Werk überschneidet sich nicht mit aktuellen Trends. Immer stellt er seine persönliche…
Weiterlesen …
offside - hanfverse
Die THC-Revue – Verschmähte Vergangenheit
Die THC-Revue – Verschmähte Vergangenheit
Ivan Mečl
Wir sind der fünfte Erdteil! Pítr Dragota und Viki Shock, Genialitätsfragmente (Fragmenty geniality), Mai/Juni 1997 Viki kam eigentlich vorbei, um mir Zeichnungen und Collagen zu zeigen. Nur so zur Ergänzung ließ er mich die im Samizdat (Selbstverlag) entstandene THC-Revue von Ende der Neunzigerjahre durchblättern. Als die mich begeisterte, erschrak er und sagte, dieses Schaffen sei ein…
Weiterlesen …
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Weiterlesen …
mütter
Wer hat Angst vorm Muttersein?
Wer hat Angst vorm Muttersein?
Zuzana Štefková
Die Vermehrung von Definitionen des Begriffes „Mutter“ stellt zugleich einen Ort wachsender Unterdrückung wie auch der potenziellen Befreiung dar.1 Carol Stabile Man schrieb das Jahr 2003, im dichten Gesträuch des Waldes bei Kladno (Mittelböhmen) stand am Wegesrand eine Frau im fortgeschrittenen Stadium der Schwangerschaft. Passanten konnten ein Aufblitzen ihres sich wölbenden Bauchs erblicken,…
Weiterlesen …
Bücher und Medien, die Sie interessieren könnten Zum e-shop
Flute, sketch - drawing, 29,5 x 20,5 cm
Mehr Informationen ...
340 EUR
358 USD
BOOK "AMERICA" OF 528 PAGES. PACKAGE CONTAINS TWO VOLUMES (VOL. LIVE & VOL. DIE) IN CARDBOARD BOX. Big book of collected works...
Mehr Informationen ...
55 EUR
58 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Zitat des Tages Der Herausgeber haftet nicht für psychische und physische Zustände, die nach Lesen des Zitats auftreten können.

Die Begierde hält niemals ihre Versprechen.
KONTAKTE UND INFORMATIONEN FÜR DIE BESUCHER Kontakte Redaktion

DIVUS BERLIN
in ZWITSCHERMASCHINE
Potsdamer Str. 161
10783 Berlin, Germany
berlin@divus.cz

 

Geöffnet Mittwoch - Samstag, 14:00 - 20:00

 

Ivan Mečl
ivan@divus.cz, +49 (0) 1512 9088 150

DIVUS LONDON
Enclave 5, 50 Resolution Way
London SE8 4AL, United Kingdom
news@divus.org.uk, +44 (0)7583 392144
Open Wednesday to Saturday 12 – 6 pm.

 

DIVUS PRAHA
Bubenská 1, 170 00 Praha 7, Czech Republic
divus@divus.cz, +420 245 006 420

Open daily except Sundays from 11am to 10pm

 

DIVUS WIEN
wien@divus.cz

DIVUS MEXICO CITY
mexico@divus.cz

DIVUS BARCELONA
barcelona@divus.cz
DIVUS MOSCOW & MINSK
alena@divus.cz

DIVUS NEWSPAPER IN DIE E-MAIL
Divus Potsdamer Str. 161 | Neu Divus in Zwitschermaschine, galerie und buchhandlug in Berlin! | Mit U2 nach Bülowstraße