Umělec magazine 2004/1 >> Denisa Kera talking with a member of the Re-code List of all editions.
Umělec magazine
Year 2004, 1
6,50 EUR
7 USD
Send the printed edition:
Order subscription

Denisa Kera talking with a member of the Re-code

Umělec magazine 2004/1

01.01.2004

Denisa Kera | info | en cs

Denisa Kera: What were the reactions of people when you started this "service" and "bar code parody" on the web?

Re-code: Initially the site was making the rounds through blog sites and more personal web sites by people more familiar with satire on the internet. The initial reaction was one that appreciated the humor of the site and we received comments that were very encouraging. When we received a threatening letter from attorneys for Wal Mart, the Associated Press picked up the story. We only started getting hate mail at this point. The reactions were from individuals that were not aware of a history of cultural intervention or media disruption and saw us only as they were trained to — as thieves.

DK: How did you get this idea and do you still think it is a good idea

Re-code: The idea of switching stickers has been around and been performed since pre-barcodes. I got the idea myself from friends when I was a little kid. The idea for the parody site was more of a funny idea we had been joking about doing for awhile, using the collaborative properties of the internet and the annoying advertisement campaigns of companies trying to cash in on the popularity of things like the image of Che Gueverra as our impetus; we created the site in a matter of days.

DK Could you tell us something about the artists and organizations involved in this project?

Re-code: I work with a collective called Carbon Defense League (www.carbondefense.org). I have been working and writing as a part of that group since 1997. We work on and off very loosely and do projects that generally tamper with technology or intervene in media for some goal of subversion of cultural dissent. We have a larger network of groups that members of CDL and friends are in that are shared by a web portal called the Hactivist Tactical Media Network (www.hactivist.com) of which Tyler's group, Conglomco, is a part of.

DK: What are the problems that you are facing now and your future steps? Are you still considering P2P service?

Re-code: We are still considering it, but personally I am very involved with several CDL projects that are much more demanding and might suffer from the legal distractions of releasing future versions of theft enabling software. For now, the P2P app is on the backburner and has no planned release date.

DK: Do you think that these bans against certain technology/solution show the weakness of different industries, that they overslept the technological innovations, or they prove the immense power these organizations have over our legal system?

Re-code: I believe it shows exactly both — the bigger the monster, the slower its swing, the harder its force. These monsters are slowing down as they age and expand; they can never compete with artists, activists, and dissidents, but they can use their power to crush those that wait around too long. Wal Mart is now moving ahead to install RFID tags in merchandise this year to combat theft and barcode tampering — more restrictions is always the monster's solution.

DK: Any thoughts on art and activism...

Re-code: We are creating culture. We must be aware of our critical nature as deviants and make ourselves visible to attract others, then disappear underground. This is not a war, it is more like a game of scrabble — we must maintain a bigger vocabulary, the smaller and more stagnant the tactics, the more we feed the creation of the zoo that will contain all dissent. It is occurring, artists, activists, whatever — we are critical deviant practitioners.







01.01.2004

Comments

There are currently no comments.

Add new comment

Recommended articles

Terminator vs. Avatar: Notes on Accelerationism Terminator vs. Avatar: Notes on Accelerationism
Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…
Le Dernier Cri and the black penis of Marseille Le Dernier Cri and the black penis of Marseille
We’re constantly hearing that someone would like to do some joint project, organize something together, some event, but… damn, how to put it... we really like what you’re doing but it might piss someone off back home. Sure, it’s true that every now and then someone gets kicked out of this institution or that institute for organizing something with Divus, but weren’t they actually terribly self…
Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
Nick Land – An Experiment in Inhumanism Nick Land – An Experiment in Inhumanism
Nick Land was a British philosopher but is no longer, though he is not dead. The almost neurotic fervor with which he scratched at the scars of reality has seduced more than a few promising academics onto the path of art that offends in its originality. The texts that he has left behind are reliably revolting and boring, and impel us to castrate their categorization as “mere” literature.
04.02.2020 10:17
Where to go next?
out - archeology
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
Josef Jindrák
Who is S.d.Ch? A person of many interests, active in various fields—literature, theater—known for his comics and collages in the art field. A poet and playwright foremost. A loner by nature and determination, his work doesn’t meet the current trends. He always puts forth personal enunciation, although its inner structure can get very complicated. It’s pleasant that he is a normal person and a…
Read more...
out - poetry
THC Review and the Condemned Past
THC Review and the Condemned Past
Ivan Mečl
We are the fifth global party! Pítr Dragota and Viki Shock, Fragmenty geniality / Fragments of Charisma, May and June 1997. When Viki came to visit, it was only to show me some drawings and collages. It was only as an afterthought that he showed me the Czech samizdat publication from the late 1990s, THC Review. When he saw how it fascinated me, he panicked and insisted that THAT creation is…
Read more...
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Read more...
birthing pains
Who’s Afraid of Motherhood?
Who’s Afraid of Motherhood?
Zuzana Štefková
Expanding the definition of “mother” is also a space for reducing pressure and for potential liberation.1 Carol Stabile The year was 2003, and in the deep forests of Lapák in the Kladno area, a woman in the later phase of pregnancy stopped along the path. As part of the “Artists in the Woods” exhibit, passers-by could catch a glimpse of her round belly, which she exposed especially for them in…
Read more...
Books, video, editions and artworks that might interest you Go to e-shop
The art review Divus number two. This large-format publication brought together outsider art, style, the alternative, the...
More info...
9,90 EUR
10 USD
Limited edition of 10. Size 100 x 70 cm. Black print on durable white foil.
More info...
75 EUR
79 USD
22 x 31 x 1 cm / 32 pages / sérigraphie 5 pass. couleur / 200 ex || Gravures de Rémi Pierlo, Adolpho Avril, Benoit Montjoie...
More info...
30 EUR
32 USD
American Issue
More info...
6,50 EUR
7 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Citation of the day. Publisher is not liable for any mental and physical states which may arise after reading the quote.

Enlightenment is always late.
CONTACTS AND VISITOR INFORMATION The entire editorial staff contacts

DIVUS BERLIN
at ZWITSCHERMASCHINE
Potsdamer Str. 161
10783 Berlin, Germany
berlin@divus.cz

 

Open Wednesday to Sunday 2 - 7 pm

 

Ivan Mečl
ivan@divus.cz, +49 (0) 1512 9088 150

DIVUS LONDON
Enclave 5, 50 Resolution Way
London SE8 4AL, United Kingdom
news@divus.org.uk, +44 (0)7583 392144
Open Wednesday to Saturday 12 – 6 pm.

 

DIVUS PRAHA
Bubenská 1, 170 00 Praha 7, Czech Republic
divus@divus.cz, +420 245 006 420

Open daily except Sundays from 11am to 10pm

 

DIVUS WIEN
wien@divus.cz

DIVUS MEXICO CITY
mexico@divus.cz

DIVUS BARCELONA
barcelona@divus.cz
DIVUS MOSCOW & MINSK
alena@divus.cz

DIVUS NEWSLETTER SUBSCRIPTION
Divus New book by I.M.Jirous in English at our online bookshop.