Umělec magazine 2001/4 >> Marek Ther List of all editions.
Marek Ther
Umělec magazine
Year 2001, 4
6,50 EUR
7 USD
Send the printed edition:
Order subscription

Marek Ther

Umělec magazine 2001/4

01.04.2001

new faces | en cs

"Marek Ther (b. 1977) currently studies under Vladimír Skrepl in the painting studio at the Academy of Fine Arts in Prague. He cooperated this year with Jiří Skála on the project Microfiltration (Gallery Jelení); his latest work was exhibited in the group exhibition Casino (Universal NoD) and in an exhibition in the school’s studio.
Marek Ther plays out the tension between artificiality and the natural (his older works contrast animal fur, dead flies, fake fingernails and the ecological stamp Grüne Punkt). The cultural and social function of corporeality, which is shaped by the pop-culture industry and the mechanisms of media fame, is mixed with commonplace gestures and appearances.
Cosmetics of every kind — enhancing colors and shapes (of clothing, skin, hair) — are an effective strategem in Ther’s battle against everyday filth. His attitude reveals symptoms of Warholian paranoia; even the photograph Krásná propiska (Beautiful Pen) features a carefully composed blot of muck intended to emphasize specific hygienic habits. Maria Callas, the legendary Bel Canto opera star, has become more than just an artistic alter ego for Marek Ther. The series of photographs in which Ther poses as Callas in front of her Paris home parallels his video work in which a hypothetical encounter takes place between Callas and Audrey Hepburn in the backseat of a car as it cruises slowly through the city. (A list of the clothes and cosmetics used in the video runs across the screen.) Marek Ther is working on a project of fictitious interviews with the students of Maria Callas, and very soon he will begin to learn how to sing.
"




01.04.2001

Comments

There are currently no comments.

Add new comment

Recommended articles

African Vampires in the Age of Globalisation African Vampires in the Age of Globalisation
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."
Wicked / Interview with Jim Hollands Wicked / Interview with Jim Hollands
“A person must shake someone’s hand three times while gazing intently into their eyes. That’s the key to memorizing their name with certainty. It is in this way that I’ve remembered the names of 5,000 people who have been to the Horse Hospital,” Jim Hollands told me. Hollands is an experimental filmmaker, musician and curator. In his childhood, he suffered through tough social situations and…
Terminator vs. Avatar: Notes on Accelerationism Terminator vs. Avatar: Notes on Accelerationism
Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…
Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…