Umělec magazine 2004/3 >> Summer in the City, Random Collection List of all editions.
 Summer in the City, Random Collection
Umělec magazine
Year 2004, 3
6,50 EUR
7 USD
Send the printed edition:
Order subscription

Summer in the City, Random Collection

Umělec magazine 2004/3

01.03.2004

Lenka Vítková | info | en cs

Martin Horák, Summer in the City
KW, Random Collection
Šternberk City Gallery
August 8 – September 3, 2004

Martin Horák, from Ostrava, lives in Olomouc, where he was a curator of exhibitions in Divadlo hudby (the local music theatre) and in streetcars (The Bezhlavý jezdec (headless horsemen) group, along with Ivan Vosecký, Pavel Brázda), now he works in a secondhand bookshop and is a conceptual artist.
Igor Korpaczewski (a.k.a. KW), lives in Prague and is a figurative artist and recently also a musician who teaches at Prague’s Academy of Fine Arts.
At the end of summer, Horák and Korpaczewski had their works presented together in the City Gallery in Šternberk, (a town in Northern Moravia with 15,000 people). The Šternberk City Gallery has a high-quality program and a lovely location that itself is the cause of the gallery’s insecure future. It’s wanted to be transformed into a beautiful apartment. The curator, Michal Kalhous, carefully counts the visitors into the gallery, for its provider.
Martin Horák once said about his objects and collages that he creates them in an instant, as other people would, light a cigarette. He, instead, takes some object, or settles his gaze on it. Suddenly the thing surprises him, evokes a memory, and coalesces with something, which he has on his mind or somewhere around. On the walls of the gallery, Horák’s works were mixed with similarly unpretentious drawings and paintings.
For the first time, KW exhibited only sketches, smaller paintings, drawings, and passing records. Some of them were or will be a starting point to a picture, but they looked completely unusual—as a map of contemplations, feelings and possibilities, which is not as obvious in the final pictures.

Altogether it resembled a game with words and associations; if, for example, you say “night,” Korpaczewski would notice a lifeless body of a young god, and Horák would turn on a light bulb inside a plastic junk food box.




01.03.2004

Comments

There are currently no comments.

Add new comment

Recommended articles

Magda Tóthová Magda Tóthová
Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…
Terminator vs. Avatar: Notes on Accelerationism Terminator vs. Avatar: Notes on Accelerationism
Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…
Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
Wicked / Interview with Jim Hollands Wicked / Interview with Jim Hollands
“A person must shake someone’s hand three times while gazing intently into their eyes. That’s the key to memorizing their name with certainty. It is in this way that I’ve remembered the names of 5,000 people who have been to the Horse Hospital,” Jim Hollands told me. Hollands is an experimental filmmaker, musician and curator. In his childhood, he suffered through tough social situations and…
04.02.2020 10:17
Where to go next?
out - archeology
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
Josef Jindrák
Who is S.d.Ch? A person of many interests, active in various fields—literature, theater—known for his comics and collages in the art field. A poet and playwright foremost. A loner by nature and determination, his work doesn’t meet the current trends. He always puts forth personal enunciation, although its inner structure can get very complicated. It’s pleasant that he is a normal person and a…
Read more...
out - poetry
THC Review and the Condemned Past
THC Review and the Condemned Past
Ivan Mečl
We are the fifth global party! Pítr Dragota and Viki Shock, Fragmenty geniality / Fragments of Charisma, May and June 1997. When Viki came to visit, it was only to show me some drawings and collages. It was only as an afterthought that he showed me the Czech samizdat publication from the late 1990s, THC Review. When he saw how it fascinated me, he panicked and insisted that THAT creation is…
Read more...
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Read more...
birthing pains
Who’s Afraid of Motherhood?
Who’s Afraid of Motherhood?
Zuzana Štefková
Expanding the definition of “mother” is also a space for reducing pressure and for potential liberation.1 Carol Stabile The year was 2003, and in the deep forests of Lapák in the Kladno area, a woman in the later phase of pregnancy stopped along the path. As part of the “Artists in the Woods” exhibit, passers-by could catch a glimpse of her round belly, which she exposed especially for them in…
Read more...
Books, video, editions and artworks that might interest you Go to e-shop
28.5 x 42 cm, Pen & Ink Drawing
More info...
894 EUR
941 USD
"Thanatopolis" limited Collection for London Show.
More info...
39 EUR
41 USD
More info...
6,50 EUR
7 USD
print on durable film, 250 x 139 cm, 2011 / signed by artist and numbered from edition of ten
More info...
799,20 EUR
841 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Citation of the day. Publisher is not liable for any mental and physical states which may arise after reading the quote.

Enlightenment is always late.
CONTACTS AND VISITOR INFORMATION The entire editorial staff contacts

DIVUS BERLIN
at ZWITSCHERMASCHINE
Potsdamer Str. 161
10783 Berlin, Germany
berlin@divus.cz

 

Open Wednesday to Sunday 2 - 7 pm

 

Ivan Mečl
ivan@divus.cz, +49 (0) 1512 9088 150

DIVUS LONDON
Enclave 5, 50 Resolution Way
London SE8 4AL, United Kingdom
news@divus.org.uk, +44 (0)7583 392144
Open Wednesday to Saturday 12 – 6 pm.

 

DIVUS PRAHA
Bubenská 1, 170 00 Praha 7, Czech Republic
divus@divus.cz, +420 245 006 420

Open daily except Sundays from 11am to 10pm

 

DIVUS WIEN
wien@divus.cz

DIVUS MEXICO CITY
mexico@divus.cz

DIVUS BARCELONA
barcelona@divus.cz
DIVUS MOSCOW & MINSK
alena@divus.cz

DIVUS NEWSLETTER SUBSCRIPTION
Divus New book by I.M.Jirous in English at our online bookshop.