Sezgin Boynik

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Přehled příspěvků autora Sezgin Boynik

	Sezgin Boynik \| art market \| 01.02.2009
	LEARNING FROM THE UNDERGROUND
	1. Learning from Attitude The underground, although hermetic, always attempts to effectively change the mainstream world that surrounds it. We can say that its effectiveness increases proportionately to the underground’s potential to be visible in the public sphere. Actually, this is a characteristic of utopia that in part, paradoxically, disables a complete realization of the underground’s…

	Sezgin Boynik \| 01.02.2004
	ANRI SALA AND THE ISSUE OF IDENTITY IN SITUATIONS OF COLLECTIVE AMNESIA
	Anri Sala is probably the most reflexive of young Albanian artists. Full of irony, his works provoke a multiplicity of ideological or political debates – a process dating to one of his first videos, produced in 1997 when Sala was 23 years old, entitled “Intervista.” That video represents an evolving dialogue between the artist and his mother. By chance he’d stumbled on a video tape of an…

Sezgin Boynik | focus | 01.03.2003

QUESTIONS FOR ARTIST SOKOL BEQIRI

"Mr. Beqiri, could you briefly explain the current political situation in Kosovo, its future and role of UNMIK? The shortest way to describe the current political situation is unclear. Unclear, because of the undefined status of Kosovo. I feel that the UNMIK is a part of the former Yugoslav system, a bureaucratic, autocratic, ineffective and expensive administration. I see the future of Kosovo as…

	Sezgin Boynik \| focus \| 01.03.2003
	IS THERE ANY CONTEMPORARY CULTURE IN KOSOVO?
	"Since 1999, the international force of NATO and UNMIK (United Nations Interim Administration Mission in Kosovo) has created partial freedom for people who live in Kosovo. For over ten years Yugoslavia had taken from Albanians all their basic rights to education, work, health and culture. So the 1999 “Turning Point” was considered a wave of freedom among the international public. Albanians…

	Sezgin Boynik \| focus \| 01.03.2003
	POWER TO THE ARTIST (INTERVIEW WITH SISLEJ XHAFA)
	"Sislej Xhafa, an Albanian from Kosovo, travels widely, experiencing various world cultures firsthand, and from this basis he makes his work, touching on illegality, immigration, and authority. He first became known at the 1997 Venice Biennale for his performance Unofficial Albanian Pavilion in which he strolled through the various national pavilions bouncing a soccer ball and blaring a recording…

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04.02.2020 10:17

Slavka Kneppo:

Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...

Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.

Star Wars, I.

01.01.2000 | Open

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Simon Barker aka Six, Jordan – Black Patent

Citation of the day. Publisher is not liable for any mental and physical states which may arise after reading the quote.
“	Enlightenment is always late.