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Tomáš Pospiszyl | reviews | 01.04.1999
THE STUBBORN’S RECIPE BOOK
The art group Stubborn’s showing in 1987 significantly influenced Czech art of this century’s last decade. It was as if a new era opened up with the Stubborn and other artists of their generation. That is what we thought at least during their first exhibition at the Popular House in Prague’s Vysočany twelve years ago. Even though the Stubborn have not existed as a group for several years now,…
Report on the State of Czech Art According to Matoušek (František Matoušek v MXM) Lenka Lindaurová | reviews | 01.03.1999
REPORT ON THE STATE OF CZECH ART ACCORDING TO MATOUŠEK (FRANTIŠEK MATOUŠEK V MXM)
Art Game (Václav Stratil with Students in Mánes) Lenka Lindaurová | reviews | 01.03.1999
ART GAME (VÁCLAV STRATIL WITH STUDENTS IN MÁNES)
Exhibitions of Photographs / Photographs of Exhibitions (Martin Polák, Lukáš Jasanský) Karel Císař | reviews | 01.02.1999
EXHIBITIONS OF PHOTOGRAPHS / PHOTOGRAPHS OF EXHIBITIONS (MARTIN POLÁK, LUKÁŠ JASANSKÝ)
Looking Up (Ján Mančuška) Lenka Lindaurová | reviews | 01.02.1999
LOOKING UP (JÁN MANČUŠKA)
Vít Havránek | reviews | 01.01.1999
TITILLATING EMOTIONS (VERONIKA BROMOVÁ)
Lenka Lindaurová | reviews | 01.01.1999
OH, SWEET MEMORY! (VÍT SOUKUP)
Sci-fi Architecture (Jan Kaplický and Future Systems) Petr Kratochvíl | reviews | 01.01.1999
SCI-FI ARCHITECTURE (JAN KAPLICKÝ AND FUTURE SYSTEMS)
Yan-Pei Ming Vít Havránek | reviews | 01.01.1999
YAN-PEI MING
In France, painting has been for a long time experiencing insecurity. If an artist actually manages to enter the context of contemporary art, one gets a feeling that it happens so out of curatorial need to fill up the wall, or to spice up the installation-conceptual character of current exhibitions by throwing in one or two canvases (e.g. the Le Consortium exhibition at Centre Pompidou). In this…
Jim Hodge’s Hardened Beauty Tim Gilman-Ševčík | reviews | 01.01.1999
JIM HODGE’S HARDENED BEAUTY
When Las Vegas-based art critic Dave Hickey made his prescient and oft-quoted remark in the early nineties that the art of the decade would be about beauty, he was calling forth a resurgence of past values that had been neglected in the sixties, seventies and eighties, rather than signaling a move away from the conceptual learning that the art world has done in the preceding three decades. Beauty…
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