Revista Umělec 1997/3 >> Feng Yigui´s Monumental Sculptures Lista de todas las ediciones
Feng Yigui´s Monumental Sculptures
Revista Umělec
Año 1997, 3
2,50 EUR
3 USD
Enviar la edición impresa:
Suscripción de orden

Feng Yigui´s Monumental Sculptures

Revista Umělec 1997/3

01.03.1997

Lenka Lindaurová | Perfil | en cs

It may be hard to understand the fate of Chinese sculptor Feng Yigui since all we know about him is that he was born in 1942 in Si Chuan province where he graduated from an art school. Then he served in Chinese military for eight years. On his return to civilian life, he entered post-gradual studies and in 1976 he was involved in erecting the gigantic Mao Memorial.
For the most part, Yigui made figurative works. It wasn´t until the ´90s that he got involved in creating monuments on the state´s request. While he was making objects in bigger scale before, the state requests allowed him to work on giants like a 170 meters long Lying Budha sculpture.
Yigui died in 1995 just when the system started to loosen up its grip on art a little bit.




Comentarios

Actualmente no hay comentarios

Agregar nuevo comentario

Artículos recomendados

Terminator vs. Avatar: Notes on Accelerationism Terminator vs. Avatar: Notes on Accelerationism
Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…
My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
Tunelling Culture II Tunelling Culture II
An unsuccessful co-production An unsuccessful co-production
If you know your way around, you might discover that every month and maybe even every week you stand the chance to receive money for your cultural project. Successful applicants have enough money, average applicants have enough to keep their mouths shut, and the unsuccessful ones are kept in check by the chance that they might get lucky in the future. One natural result has been the emergence of…