Revista Umělec 2010/2 >> Happy House Lista de todas las ediciones
Happy House
Revista Umělec
Año 2010, 2
6,50 EUR
7 USD
Enviar la edición impresa:
Suscripción de orden

Happy House

Revista Umělec 2010/2

01.02.2010

Alena Boika | Editorial | en cs de

When we dream of changing the world it is commonly supposed to be idealism. The label “romantic idealism” usually implies the utmost disapproval. Particularly refined minds shape their idealistic views into teachings and programmes, provoking revolutions. But when a revolution fails to occur, the concepts, stubbornly focusing on the search for the way to change and improve the lives of the majority, are given the title of a utopia.

My utopia was a result of my reflections about the term In Transition, which I perceive as denoting not only the state of moving physically, but also changing mentally, moving from one stage to another, in a state of metamorphosis.

This occurred to me when I learned that my house was on sale. Not a big deal – like most of us, moving back and forth, facing the crises and fighting the circumstances, you learn to vent a new solution, steel-heartedly keeping yourself from bogging down in soggy skepticism and stinging everyone around with the unnecessary sarcasm.

So I came up with my Happy House project and found an old villa with a large garden—a place that would be roomy enough to shelter all of us: our editors’ office, me, the artists. And just then there happened to be a contest there: the winner starting the winner’s own “residence programme”. Nowadays, rather by the opportunities, than by the goals—there is no such a term just a few years ago. So came the happiness, and six out of ten were to be selected there.

Aboard the plane, I suddenly discovered that all my hopes were futile, and in fact nobody is going to support our unique experience while visiting the two selected Residence Programmes. My reaction was quite emotional: “How come? What about our own projects? You must give us at least letters of recommendation or something, because if our plans do not work, then your project, Dear Big Residencies, will be considered a failure, and the EU can rightfully enquire – what did you spend our money on?” Hearing which the person I was talking to got genuinely surprised and replied sympathetically: “well, you’re so excited about all that. Do you really think someone will remember your projects in just a couple of years?”

And that was the very moment when I felt desperate. Well really—who cares about some romantic projectors’ romantic projects? Why produce new little utopias, when there already exits an endless range of various programs to successfully raise and successfully spend money holding conferences in a big way. Well, sharing experiences is a useful thing, no doubt. It is a good way to be permanently in transition.

…The poor contest finalists looked pathetically lost and out of place, hanging around at that international big event held to share the Big Residences’ big experience. Later they were called one by one and asked the same question:” What do you expect from this program?” The first question of the survey—a commonly familiar term too, isn’t it? But by that time we already had no expectations, we had understood everything. My thinking it over, maybe I should go visit those residencies and then use my scholarship to start creating the dream that took me so much pain and effort? Why, I don’t know whether my scholarship will be enough—it could be—if we added it to the money spent on those beautiful white lilies and a gourmand’s joys a la Pantagruel—those conference hosts’ hospitality sings at the price of a small programme., or perhaps even two.

…Meanwhile, I keep feeling totally in transition, And the thoughts keep wandering about and passing by. My embarrassed co-finalists keep complaining to each other—of their unhappy fortune and meekly traveling to the places they are sent to see. I’d rather they study their former Big Brother’s experience: struggle is happiness, strong when united…Well, stay tuned. Stay with us. To be continued.

img




Comentarios

Actualmente no hay comentarios

Agregar nuevo comentario

Artículos recomendados

Magda Tóthová Magda Tóthová
Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…
Terminator vs. Avatar: Notes on Accelerationism Terminator vs. Avatar: Notes on Accelerationism
Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
MIKROB MIKROB
There’s 130 kilos of fat, muscles, brain & raw power on the Serbian contemporary art scene, all molded together into a 175-cm tall, 44-year-old body. It’s owner is known by a countless number of different names, including Bamboo, Mexican, Groom, Big Pain in the Ass, but most of all he’s known as MICROBE!… Hero of the losers, fighter for the rights of the dispossessed, folk artist, entertainer…
04.02.2020 10:17
¿A dónde ir ahora?
fuera
S.d.Ch, Solitarios y Cultura Periférica   (una generación nacida alrededor de 1970)
S.d.Ch, Solitarios y Cultura Periférica (una generación nacida alrededor de 1970)
Josef Jindrák
¿Quién es S.d.Ch? Una persona de muchos intereses –activa en varios campos- la literatura, el teatro, conocida por sus cómics y sus collages en los campos del arte. Un poeta y dramaturgo principalmente. Un solitario por naturaleza y determinación, su trabajo no se encajona en las corrientes actuales. Siempre antepone la enunciación personal, incluso cuando su estructura interna puede volverse…
Leer más...
fuera
Revista THC: Revisitando el Condenado Pasado
Revista THC: Revisitando el Condenado Pasado
Ivan Mečl
¡Somos el quinto partido político global! Pítr Dragota ys Viki Shock, Fragmenty geniality / Fragmentos de carisma, mayo y junio de 1997. Cuando Viki llegó de visita, fue solamente para mostrarme algunos dibujos y collages. Sólo como un pensamiento tardío me mostró la publicación checa de finales de los noventa, THC Review. Cuando vio cuánto me fascinaba, le entró el pánico e insistió que…
Leer más...
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Leer más...
Dolores de parto
¿A quién le asusta la maternidad?
¿A quién le asusta la maternidad?
Zuzana Štefková
La pluralización de las definiciones de “madre“ es, a un tiempo, un lugar de represión recrudecida y de liberación potencial. (1) Carol Stabile Corría el año 2003 y una mujer en avanzado estado de embarazo estaba de pie al borde del camino en el matorral del bosque Lapák de Kladno. En el marco de la exposición Artistas en el bosque, los transeúntes podían vislumbrar el destello de su vientre…
Leer más...
Libros, video, ediciones y obras de arte que podrían interesarle Ir a la tienda virtual
First English Edition / 128 pages in color on fine art paper / Translated and introduced by Marek Tomin / Afterword by Martin...
Más información...
14,50 EUR
15 USD
Podvečerní snímek na Krušné hory a Hnědouhelný důl Bílina, 2013, 225 x 150 cm, print on vinyl
Más información...
580 EUR
610 USD
Pencil Drawing, 21.5 x 28 cm
Más información...
216 EUR
227 USD
offset print / 15 x 22 x 0,7 cm / 32 pages
Más información...
8 EUR
8 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Cita del día El editor no se responsabiliza por los estados físicos o mentales que puedan generarse después de leer la cita

Enlightenment is always late.
Contacto e información del visitante Contactos de la redacción

DIVUS BERLIN
at ZWITSCHERMASCHINE
Potsdamer Str. 161
10783 Berlin, Germany
berlin@divus.cz

 

Open Wednesday to Sunday 2 - 7 pm

 

Ivan Mečl
ivan@divus.cz, +49 (0) 1512 9088 150

DIVUS LONDON
Enclave 5, 50 Resolution Way
London SE8 4AL, United Kingdom
news@divus.org.uk, +44 (0)7583 392144
Open Wednesday to Saturday 12 – 6 pm.

 

DIVUS PRAHA
Bubenská 1, 170 00 Praha 7, Czech Republic
divus@divus.cz, +420 245 006 420

Open daily except Sundays from 11am to 10pm

 

DIVUS WIEN
wien@divus.cz

DIVUS MEXICO CITY
mexico@divus.cz

DIVUS BARCELONA
barcelona@divus.cz
DIVUS MOSCOW & MINSK
alena@divus.cz

SUSCRIPCIÓN AL NEWSLETTER DE DIVUS
Divus New book by I.M.Jirous in English at our online bookshop.