Revista Umělec 2000/3 >> Jižní záležitost Lista de todas las ediciones
Revista Umělec
Año 2000, 3
6,50 EUR
7 USD
Enviar la edición impresa:
Suscripción de orden

Jižní záležitost

Revista Umělec 2000/3

01.03.2000

informace | en cs






Comentarios

Actualmente no hay comentarios

Agregar nuevo comentario

Artículos recomendados

An unsuccessful co-production An unsuccessful co-production
If you know your way around, you might discover that every month and maybe even every week you stand the chance to receive money for your cultural project. Successful applicants have enough money, average applicants have enough to keep their mouths shut, and the unsuccessful ones are kept in check by the chance that they might get lucky in the future. One natural result has been the emergence of…
My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
Malvado Malvado
“La persona debe sacudir tres veces la mano de alguien mientras mantiene fijamente la mirada en sus ojos. Así es como es posible memorizar el nombre de una persona con certeza. De ésta forma es como he recordado los nombres de las 5000 personas que han estado en el Horse Hospital”, me dijo Jim Holland. Holland es un experimentado cineasta, músico y curador. En su infancia, sufrió al pasar por…
Nick Land – An Experiment in Inhumanism Nick Land – An Experiment in Inhumanism
Nick Land was a British philosopher but is no longer, though he is not dead. The almost neurotic fervor with which he scratched at the scars of reality has seduced more than a few promising academics onto the path of art that offends in its originality. The texts that he has left behind are reliably revolting and boring, and impel us to castrate their categorization as “mere” literature.