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Lenka Lindaurová

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Přehled příspěvků autora Lenka Lindaurová

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	Lenka Lindaurová \| new faces \| 01.04.2000
	JITKA CHRIŠTOFOVÁ
	Born in 1977, Chrištofová studies in the graphic arts studio with Vladimír Kokolia at the Academy of Fine Arts in Prague. Chrištofová is one of the few marginal artists who attempts to capture landscapes in her drawings and paintings, or, more precisely, her personal feelings for landscapes, which bear completely different meanings for today’s art and human life. Because she uses photographs…

Lenka Lindaurová | recenze | 01.04.2000

VÝCHODNÍ OSUD S HAPPY-ENDEM / (2000+ARTEAST COLLECTION)

Lenka Lindaurová | recenze | 01.04.2000

METAFORA NA HORIZONTU ESTETICKÉHO UNIVERZA / (DŮM, TĚLO, SRDCE)

	Lenka Lindaurová \| info \| 01.03.2000
	EXPO 2000
	The reasons and objectives for international exhibitions to mainly present the latest achievements in science, technology and industry have been completely exhausted. Therefore, such shows become gigantic Disneylands with panoptic pavilions that use up incredible amounts of money and are, for many individuals, a lucrative commission. One can only surmise what a statistical inquiry among visitors…

Lenka Lindaurová | info | 01.03.2000

STUDENTS AND A NEW STYLE

Just shortly before the holidays, exhibitions by art students gradually started popping up in Prague. Within a short time, three schools had graduations and opened class shows: the Fine Arts Academy, Decorative Arts College and one studio at J. E. Purkyně University in Ústí nad Labem. At the end of June, the Sources of New Style exhibition joined this group. It was put together by the recent…

	Lenka Lindaurová \| informace \| 01.03.2000
	SÝPKA
	A student event took place at Sýpka in Brno, where Brno and Prague artists showed their graduating schoolwork. Petr Kvíčala and Jiří David made the selection. Even though the exhibition took place as ”whatever the house could give” or rather, more like whatever they had on hand, several fresh works were to be found. For example, Barbora Klímová showed abstract exercises in various materials;…

	Lenka Lindaurová \| info \| 01.03.2000
	KUNSTWERKE, MITTE
	KunstWerke, one of the largest exhibition spaces which sprang to life at the beginning of the 1990s in Berlin’s Mitte district, is currently showing a subtle exhibition of relatively unknown artists. The most interesting is, without a doubt, Paul Pfeiffer who was given the largest space, into which he installed three miniature video projections: images of a basketball player, a slowed-down detail…

	Lenka Lindaurová \| info \| 01.03.2000
	THE TIMELESS JOSEF HOFFMANN
	Mentioning the name of the art nouveau, or, rather, timeless architect and designer Josef Hoffmann is obviously unnecessary except for the fact that his origins are almost unknown. Although his family house in Brtnice in Moravia functions as a museum, the exhibit is nothing to be proud of. There are several small originals on loan from Vienna (modern porcelain, glass, textile tapestries, and…

	Lenka Lindaurová \| biennial \| 01.03.2000
	AN ATTACK IS THE BEST DEFENSE
	"The symbol of the border, which has often and ambiguously been used in art theory was dusted off again and applied as the theme for this year’s third Manifesta biennial of contemporary European art. Borderline Syndrome, a title chosen by the Manifesta curators, comes from psychology and defines the need to defend. They could hardly have chosen a better metaphor for addressing some current…

	Lenka Lindaurová \| new faces \| 01.03.2000
	KRIS DE SMEDT
	Born in 1977 in Belgium, de Smedt studied photography at the University of Gent. He currently studies at the Prague Film Academy of Performing Arts. Inspired by film and advertising, Kris de Smedt’s photographs act as icons for the 21st century, as pictures from another world. They cast a decadent impression of time fracturing, an atmosphere of exclusiveness, separateness. Costumed figures…

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04.02.2020 10:17

Slavka Kneppo:

Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...

Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.

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