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Vít Havránek | review | 01.01.2001

DIY ON THE RISE

"Ján Mančuška, I Don’t Like Going to the Bathroom Anywhere Else But Here, Dům Umění–České Budějovice, 18 January – 18 February 2001Dům Umění in České Budějovice this year put together Ján Mančuška’s biggest solo show to date, entitled I Don’t Like Going to the Bathroom Anywhere Else But Here. The gallery has over time developed an excellent exhibition program alternating international and Czech…

	Ludmila Vachtová \| review \| 01.01.2001
	MAD REALITY
	Hypermental, Curated by Bice Curiger, Kunsthaus Zürich, 17 November 2000 – 21 January 2001, Hamburger Kunsthalle, 16 February – 5 May 2001“Hypermental” swooshed over the sharp-angled facade of the Kunsthaus in Zürich. Curator Bice Curiger, internationally noted for her excellent exhibitions, came up with this ambiguous neologism for the end of the millenium and it provided shelter for everything…

	Vladimir Skalnikov \| review \| 01.03.2000
	HANDS IN MY POCKETS
	Martin Zet is the most well-known Czech artist in Russia at the moment, right after Kupka. A number of exhibitions in Moscow and St. Petersburg and long-term friendly relations with his Russian counterparts have enabled him to settle perfectly into the local artistic climate—into the background of continuous quarrels about your own civilizing identity, about whether to become a part of the…

	Lenka Lindaurová \| review \| 01.03.2000
	LET’S GO TO THE POST OFFICE
	What happens to art when it is exhibited is clear: it is as if it speaks different languages in different contexts, depending on the space and time of presentation, depending on what it is being confronted with. The context determines whether what we call art is strong, effective or whether, as it is said, it works. What is true for one place and time is not for another. I’m not sure whether it…

	Ada Krnáčová-Gutleber \| review \| 01.03.2000
	THE END OF THE WORLD WITH A QUESTION MARK
	The newly renovated Kinski Palace on Prague’s Old Town Square, the headquarters of the National Gallery, has just recently opened an exhibition entitled The End of the World? General Director Milan Knížák conceived and curated the exhibition, and every critic that decides to write about it will probably run into the same problem. From what viewpoint should you evaluate an exhibition that within…

Lenka Lindaurová | review | 01.08.1998

WHO WILL ANSWER THEM? (ZELENÁ, MEGAVISION)

Lenka Lindaurová | review | 01.08.1998

A PRECISELY ABIDED GAME (ROMAN ONDÁK)

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04.02.2020 10:17

Slavka Kneppo:

Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...

Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.

Star Wars, I.

01.01.2000 | Open

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Stu Mead: Sailor

Citation of the day. Publisher is not liable for any mental and physical states which may arise after reading the quote.
“	Enlightenment is always late.