Umělec 1997/1 >> People´s Choice Просмотр всех номеров
People´s Choice
Журнал Umělec
Год 1997, 1
30 EUR
32 USD
Послать печатную версию номера:
Получить подписку

People´s Choice

Umělec 1997/1

01.01.1997

Tomáš Lahoda | project | en cs

"In the 1950´s, the US car maker Ford decided to take a step which was generally considered a brilliant idea: Ford´s new model was supposed to be constructed with the assistance of the car´s users themselves. Everybody expected that the project was bound to succeed. The company conducted opinion poll research in which members of the public were asked to express their opinion, wishes and requirements for the new vehicle. The result, however, did not correspond with Ford´s high expectations. The new car called Edsel was a gigantic failure.
In their international project entitled People´s Choice, Vitaly Komar and Alexander Melamid also ask the public for their opinion and democratically respect this opinion. Inspired by the long and abundant tradition of public poll research in the American market, the two artists decided to create a series of paintings which would reflect contemporary public taste in different countries of the world. It is ironic – although in a poetic way – that the first poll of American art taste, followed by polls in other countries, was ordered by two Russian immigrants who were, since 1978, living in New York. In the project, the two hired opinion poll research companies to construct “a scientific sample” of adults participating in such research. Based on the results and the statistical profile, they created a series of paintings which objectively reflect the public´s taste in art. Simultaneously they realised the socialist dream of a people´s art by using the means of corporate capitalism.
The work of Komar and Malemid combines the bombastic language of modernist dogma, Soviet ideology and American advertising. They do not consider themselves political artists; they prefer irony as the strategy of their art work and they leave space for themselves to stand against or destroy any position they assume.
(pages 8 and 9)
"




Комментарии

Статья не была прокомментирована

Добавить новый комментарий

Рекомендуемые статьи

An unsuccessful co-production An unsuccessful co-production
If you know your way around, you might discover that every month and maybe even every week you stand the chance to receive money for your cultural project. Successful applicants have enough money, average applicants have enough to keep their mouths shut, and the unsuccessful ones are kept in check by the chance that they might get lucky in the future. One natural result has been the emergence of…
Magda Tóthová Magda Tóthová
Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…
MIKROB MIKROB
There’s 130 kilos of fat, muscles, brain & raw power on the Serbian contemporary art scene, all molded together into a 175-cm tall, 44-year-old body. It’s owner is known by a countless number of different names, including Bamboo, Mexican, Groom, Big Pain in the Ass, but most of all he’s known as MICROBE!… Hero of the losers, fighter for the rights of the dispossessed, folk artist, entertainer…
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…