Zeitschrift Umělec 1997/1 >> Dream Society Übersicht aller Ausgaben
Dream Society
Zeitschrift Umělec
Jahrgang 1997, 1
30 EUR
33 USD
Die Printausgabe schicken an:
Abo bestellen

Dream Society

Zeitschrift Umělec 1997/1

01.01.1997

Rolf Jensen | future | en cs

"The Information Age, which opened only a few decades ago with the appearance of the first commercial computers, is already approaching its end. In the years ahead, we will move into what may be called the Dream Society.
When our future grandchildren look back on our age, they will see it as dull and gray, dominated by technology and neglecting human values. They may wonder what it was like to live at a time when life was divided into little boxes of either work or leisure. They will also think of us today as being poor. Our grandchildren will likely consume twice as much as we do.
The huge increase in material wealth owes much to science and technology, but, in the future, attention will turn away from science and toward non materialistic and non-scientific values. The highest-paid person in the first half of the next century will be the “storyteller”. The value of products will depend on the story they tell. Nike and many other global companies are already mainly storytellers. That is where the money is – even today.
Two trends in today´s society are particularly important in the transformation ahead. The first trend is the automation of information tasks. Just as industrial tasks have been automated, clerical work such as typing letters, entering data, and adding and subtracting sums has been increasingly turned over to machines, such as computers, photocopiers, and telephone-answering machines. The second key trend is the commercialisation of emotions. It will no longer be enough to produce a useful product: A story of legend must be built into it, a story that embodies values beyond utility. People buy blue jeans, for instance, only partly to cover their bodies; most of the money they pay is for the story that goes with the product – a story of independence, youth, power, and perhaps traditional (or non-traditional) values.
In 25 years, what people buy will be mostly stories, legends, emotion, and lifestyle. Poverty will be redefined as the inability to satisfy more than one´s material needs. Work will be different in the future. The typical work situation will be in an office, where you sit at a desk and talk with your computer. The notion that work will be required is total dedication to the task. What a Dream Society requires is values – ethical, social, or religious.
In the year 2020, many regions of the world will still be relatively poor compared with the developed nations. At the moment, western culture is gaining ground in many countries, due to the global dissemination of information. In 50 years, this could result in a global mono-culture, with a world market for the same products, music, entertainment, and fashion. Many cultures and philosophies would disappear. The other possibility is a global revival of cultures, with each tribe rediscovering its roots. Cultural diversity may become more important than a nation´s gross national product. People will not be concerned about whether one culture is “better” or “worse” than another; the important thing will be to preserve the difference.
The seedling of the Dream Society may be glimpsed in such developments as the election of an actor as president of the United States and playwright as president of the Czech Republic. In the decades ahead, the seedling will become mighty Sequoias.
(pages 18 and 19)
"




Kommentar

Der Artikel ist bisher nicht kommentiert worden

Neuen Kommentar einfügen

Empfohlene Artikel

Terminator vs Avatar: Anmerkungen zum Akzelerationismus Terminator vs Avatar: Anmerkungen zum Akzelerationismus
Warum beugt ihr, die politischen Intellektuellen, euch zum Proletariat herab? Aus Mitleid womit? Ich verstehe, dass man euch hasst, wenn man Proletarier ist. Es gibt keinen Grund, euch zu hassen, weil ihr Bürger, Privilegierte mit zarten Händen seid, sondern weil ihr das einzig Wichtige nicht zu sagen wagt: Man kann auch Lust empfinden, wenn man die Ausdünstungen des Kapitals, die Urstoffe des…
Ein Interview mit Mike Hollands Ein Interview mit Mike Hollands
„Man muss die Hand von jemandem dreimal schütteln und der Person dabei fest in die Augen sehen. So schafft man es, sich den Namen von jemandem mit Sicherheit zu merken. Ich hab’ mir auf diese Art die Namen von 5.000 Leuten im Horse Hospital gemerkt”, erzählte mir Jim Hollands. Hollands ist ein experimenteller Filmemacher, Musiker und Kurator. In seiner Kindheit litt er unter harten sozialen…
Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
No Future For Censorship No Future For Censorship
Author dreaming of a future without censorship we have never got rid of. It seems, that people don‘t care while it grows stronger again.
04.02.2020 10:17
Wohin weiter?
offside - vielseitig
S.d.Ch, Einzelgängertum und Randkultur  (Die Generation der 1970 Geborenen)
S.d.Ch, Einzelgängertum und Randkultur (Die Generation der 1970 Geborenen)
Josef Jindrák
Wer ist S.d.Ch? Eine Person mit vielen Interessen, aktiv in diversen Gebieten: In der Literatur, auf der Bühne, in der Musik und mit seinen Comics und Kollagen auch in der bildenden Kunst. In erster Linie aber Dichter und Dramatiker. Sein Charakter und seine Entschlossenheit machen ihn zum Einzelgänger. Sein Werk überschneidet sich nicht mit aktuellen Trends. Immer stellt er seine persönliche…
Weiterlesen …
offside - hanfverse
Die THC-Revue – Verschmähte Vergangenheit
Die THC-Revue – Verschmähte Vergangenheit
Ivan Mečl
Wir sind der fünfte Erdteil! Pítr Dragota und Viki Shock, Genialitätsfragmente (Fragmenty geniality), Mai/Juni 1997 Viki kam eigentlich vorbei, um mir Zeichnungen und Collagen zu zeigen. Nur so zur Ergänzung ließ er mich die im Samizdat (Selbstverlag) entstandene THC-Revue von Ende der Neunzigerjahre durchblättern. Als die mich begeisterte, erschrak er und sagte, dieses Schaffen sei ein…
Weiterlesen …
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Weiterlesen …
mütter
Wer hat Angst vorm Muttersein?
Wer hat Angst vorm Muttersein?
Zuzana Štefková
Die Vermehrung von Definitionen des Begriffes „Mutter“ stellt zugleich einen Ort wachsender Unterdrückung wie auch der potenziellen Befreiung dar.1 Carol Stabile Man schrieb das Jahr 2003, im dichten Gesträuch des Waldes bei Kladno (Mittelböhmen) stand am Wegesrand eine Frau im fortgeschrittenen Stadium der Schwangerschaft. Passanten konnten ein Aufblitzen ihres sich wölbenden Bauchs erblicken,…
Weiterlesen …
Bücher und Medien, die Sie interessieren könnten Zum e-shop
From series of rare photographs never released before year 2012. Signed and numbered Edition. Photography on 1cm high white...
Mehr Informationen ...
220 EUR
243 USD
2004, 21.5 x 28cm, Mixed Media
Mehr Informationen ...
332,40 EUR
367 USD
Sad, but expensive twins FRSL (For Rich Sad Lovers) will highlight your having a gentle soul despite being a rich man and fill...
Mehr Informationen ...
68 EUR
75 USD
28 x 43 cm (11 Pages), Pen & Ink Comic
Mehr Informationen ...
2 688 EUR
2 965 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Zitat des Tages Der Herausgeber haftet nicht für psychische und physische Zustände, die nach Lesen des Zitats auftreten können.

Die Begierde hält niemals ihre Versprechen.
KONTAKTE UND INFORMATIONEN FÜR DIE BESUCHER Kontakte Redaktion

DIVUS
NOVÁ PERLA
Kyjov 36-37, 407 47 Krásná Lípa
Čzech Republic


 

GALLERY
perla@divus.cz, +420 222 264 830, +420 606 606 425
open from Wednesday to Sunday between 10am to 6pm
and on appointment.

 

CAFÉ & BOOKSHOP
shop@divus.cz, +420 222 264 830, +420 606 606 425
open from Wednesday to Sunday between 10am to 10pm
and on appointment.

 

STUDO & PRINTING
studio@divus.cz, +420 222 264 830, +420 602 269 888
open from Monday to Friday between 10am to 6pm

 

DIVUS PUBLISHING
Ivan Mečl, ivan@divus.cz, +420 602 269 888

 

UMĚLEC MAGAZINE
Palo Fabuš, umelec@divus.cz

DIVUS LONDON
Arch 8, Resolution Way, Deptford
London SE8 4NT, United Kingdom

news@divus.org.uk, +44 (0) 7526 902 082

 

Open Wednesday to Saturday 12 – 6 pm.

 

DIVUS BERLIN
Potsdamer Str. 161, 10783 Berlin, Deutschland
berlin@divus.cz, +49 (0)151 2908 8150

 

Open Wednesday to Sunday between 1 pm and 7 pm

 

DIVUS WIEN
wien@divus.cz

DIVUS MEXICO CITY
mexico@divus.cz

DIVUS BARCELONA
barcelona@divus.cz
DIVUS MOSCOW & MINSK
alena@divus.cz

 

DIVUS NEWSPAPER IN DIE E-MAIL
Divus We Are Rising National Gallery For You! Go to Kyjov by Krásná Lípa no.37.