DIVUS PRAHA: Karel Stibral, Since when we like wild and desolate sceneries?
Karel Stibral, Since when we like wild and desolate sceneries?

Karel Stibral, Since when we like wild and desolate sceneries?

10.01.2013 18:00

Divus | en cs

Čtvrtek 10.01.2012 18:00

From the lecture cycle of the exhibition Tajga/Karel Stibral, Since when we like wild and desolate sceneries?

The lecture will try to explain why we like wild nature and desolate types of sceneries or objects. The sceneries favoured today used to be considered uninteresting or even ugly. Our admiration for rugged rocks or thick wildwood  as well as for the disappearing works of  man in nature is quite recent and based on a new approach towards nature and monuments just as on the change in aesthetic preferences.





10.01.2013 18:00

Kommentar

Der Artikel ist bisher nicht kommentiert worden

Neuen Kommentar einfügen

Empfohlene Artikel

Terminator vs Avatar: Anmerkungen zum Akzelerationismus Terminator vs Avatar: Anmerkungen zum Akzelerationismus
Warum beugt ihr, die politischen Intellektuellen, euch zum Proletariat herab? Aus Mitleid womit? Ich verstehe, dass man euch hasst, wenn man Proletarier ist. Es gibt keinen Grund, euch zu hassen, weil ihr Bürger, Privilegierte mit zarten Händen seid, sondern weil ihr das einzig Wichtige nicht zu sagen wagt: Man kann auch Lust empfinden, wenn man die Ausdünstungen des Kapitals, die Urstoffe des…
Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
Tunelling Culture II Tunelling Culture II
No Future For Censorship No Future For Censorship
Author dreaming of a future without censorship we have never got rid of. It seems, that people don‘t care while it grows stronger again.