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Nataša Petrešin

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A View on Globalization at the Slovinian pavilion in Venice Nataša Petrešin | neuigkeiten | 01.03.2001
A VIEW ON GLOBALIZATION AT THE SLOVINIAN PAVILION IN VENICE
The prevailing multicultural tendencies of late postmodernism and its pluralist aesthetics have ultimately merged into the globalized world of new technology, interaction and speed that McLuhan envisioned years ago. Although our existence today is confronting the climax of the capabilities that the post-human world is offering — the mess of total alienation through new media and painful…
Loops of Cycles (Chen Zhen) Nataša Petrešin | China | 01.04.2000
LOOPS OF CYCLES (CHEN ZHEN)
Contemporary art has long been consciously oriented towards art produced in Europe and the USA. On the other hand, recent events in other cultures slipping through the membrane of the contemporary art scene are certainly signs of general globalization and the logical progress of expanding borders. The curator Hans-Ulrich Obrist, for example, has already revealed the frequent presence of Asian…
Nataša Petrešin | recenze | 01.02.2000
SVĚTLO JAKO JEDNOTKA MÍRY (...INCOMMENSURABILIS)

Přehled rubrik autora Nataša Petrešin

04.02.2020 10:17
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Jedno z nejdůležitějších prozaických děl spisovatele, herce, loutkoherce, dramatika, hudebníka a umělce S.d.Ch. Text je hořkým...
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As senior illustrator of the weekly paper Respect, Pavel Reisenauer came to be admired for his keen commentary on the political...
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2000, 20.3 x 25.4 cm, Painting on Canvas
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