Umělec magazine 2001/2 >> Image Your Desire List of all editions.
Umělec magazine
Year 2001, 2
6,50 EUR
7 USD
Send the printed edition:
Order subscription

Image Your Desire

Umělec magazine 2001/2

01.02.2001

Jeffrey A. Buehler | news | en cs

For a while it seemed as if everything imaginable was happening at Universal Space NoD in Prague, that is, before the government inexplicably decided to shut it down. But before they could padlock the door, from 27–30 March the Swedish/Czech production of A Mantelpiece — A Story for the Eye by the Blackstone groups artfully cluttered the backroom of the building with their floor-to-ceiling live image extravaganza. Spectators were required to look, crane their necks and pick apart the many-layered, sometimes bizarre “19th century gone contemporary” array of goings-on. And many things did indeed happen, from a mysterious figure gracefully dance-painting, throughout the performance, the history of humankind on the heated floors with a mop and water to the severed headed of John the Baptist encased in an American football helmet hovering luminescent on a screen above the floor.
David Walliker, writer and developer of the performance, later said, “The new piece dealt with the obsession that drives the media market by the eternal transfer of desire through images, which eventually just leads to a more frantic turning of the same wheel.”
And the wheels they did spin, traveling from the eternal search for Jerusalem and the ideal this embodies as it is played out in Lacan’s psychoanalytic mirror and into the obsession of John the Baptist, Herod and Salome. The project combined video projection, dance, performance, choral voices and experimental sound, with appearances by Jiří Surůvka, Petr Nikl and David Fencl.
J. A. Buehler





01.02.2001

Comments

There are currently no comments.

Add new comment

Recommended articles

Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy
Goff & Rosenthal gallery, Berlin, November 18 - December 30, 2006 Society permanently renegotiates the definition of drugs and our relationship towards them. In his forty-five minute found-footage film The Conquest of Happiness, produced in 2005, Oliver Pietsch, a Berlin-based video artist, demonstrates which drugs society can accommodate, which it cannot, and how the story of the drugs can be…
Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
Terminator vs. Avatar: Notes on Accelerationism Terminator vs. Avatar: Notes on Accelerationism
Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…
African Vampires in the Age of Globalisation African Vampires in the Age of Globalisation
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."