Umělec magazine 2000/1 >> Why do so many frightening things go through such a boom? List of all editions.
Why do so many frightening things go through such a boom?
Umělec magazine
Year 2000, 1
30 EUR
32 USD
Send the printed edition:
Order subscription

Why do so many frightening things go through such a boom?

Umělec magazine 2000/1

01.01.2000

Tomodachi no Uranchan (Přátelé Uranové dívky) | japan | en cs

"Super Idols

Gentaro Araki considers himself a false alchemist rather than a figurative sculptor. His company produces incredible characters—figures whose appearance and themes are far from ordinary commercial toys. Araki’s play with gender ambiguity, which is so typical for contemporary Japan, attracts attention on the one hand and is fiercely criticized on the other. This may be the reason why otaku (an indulgence in or mania for making small hyper-realistic figures) is disgusting for some. In any case, his work very quickly became famous. Gendaro is currently working on a 3D picture book.

Hinano Yoshikawa
This doll was created simultaneously with photographic books with the aim to create the symbol of a young, living actress in 2D and 3D. Concurrently, he decided to realize two further forms: Hinano Yoshika-wa—“Natural” and “Illusive” in which the actress was photographed outside with her face naked, while the other was a virtual Hinano of the hallucinatory world.
The dolls Gentaro created—“Black Made”—are models that are intended to resemble the atmosphere of selected fantasy. Gentaro’s limited 500 pieces are all hand-made. When interviewed, he spoke of how difficult it was to make a doll’s face so that it resembled Hinano as much as possible. For this project, he created approximately twenty prototypes. Completing them took two months, half of which was reserved for making Hinano’s face. Models usually take two or three weeks to make.
Before the project began, Japanese TV had been showing the film Illusive Midnight in which Hinano Yoshikawa played the main double-role, a real girl and her identical robotic copy. In one of the scenes, Hinano Yoshikawa asked her boyfriend which of the two he liked more, which of them was more attractive and magnetic.

The Power of Number Eight
(a review in the confessional style by an anonymous author)
“Yeah, it ain’t easy. He’s a robotic boy, which is obvious from the slightly open square on his little chest. I’ve never experienced such excitement!
This doll is a boy—a robot that boasted seven powerful abilities, and he has just discovered the eighth. Perhaps this is what is so attractive about this doll. Perhaps there is a little bit of calculation. Otherwise, I don’t understand how an adult person could be so strongly attracted to dolls. It’s not just a hobby, and it’s not about innocence at all. Despite millions of various forgivenesses, this type of hobby is obscene.
But it’s my problem, don’t you think?
Remember. Go back to when you looked at the doll for the first time; you must have felt that there was something really weird and dangerous about it. Look, the reason why a beautiful girl attracts modern guys could be because their manhood and self-indulgence is mirrored in this principle.
A really complicated idea on how to define love in its virtual form.
Suppressing fear of personal and social destruction in the moment of your confession. In the near future, Japan will definitely be inhabited by a majority of Androids. Now that human figures are embodied in virtual toys that are becoming more and more popular, it is rather alarming.
Do you want to live through that?”

Robin Kun—his charm is in his hermetically tight leather suit. Any character who was to be his partner would have real problems with him.

Win–09—his first name is “Wiener Kun.” He really gets you if you turn one of the parts into a different mode. He comes with three extra parts, including a hard-on that could also be used as a stand for rings. Great present for girlfriends.

The Cute Boy Figures of Gentaro Araki
These dolls are not only made for girl-fans. Even though they appear at first sight as if they were made from the female perspective, they represent a very male view of cute boys. There is just something about them, and that is why I don’t want to make female figures. Also, all female or girl dolls that are made by men seem to lack anything female about them. That’s why. It is a materialization of personal obsession and satisfaction. There’s no room at all for the reflection of a woman. It’s a totally personal work, and anything else becomes an obstacle. Do you think this obsession of dealing with so many things is wacky? Spoiled childhood? Why do so many frightening things go through such a boom?
The answer is clear. Everybody is innocent, selfish and spoiled just like kids. Most people think that everything around is obstacles, even themselves. So is this all right? My anxiety and desire are burning every day.
"




01.01.2000

Comments

There are currently no comments.

Add new comment

Recommended articles

Tunelling Culture II Tunelling Culture II
Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
An unsuccessful co-production An unsuccessful co-production
If you know your way around, you might discover that every month and maybe even every week you stand the chance to receive money for your cultural project. Successful applicants have enough money, average applicants have enough to keep their mouths shut, and the unsuccessful ones are kept in check by the chance that they might get lucky in the future. One natural result has been the emergence of…
Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy
Goff & Rosenthal gallery, Berlin, November 18 - December 30, 2006 Society permanently renegotiates the definition of drugs and our relationship towards them. In his forty-five minute found-footage film The Conquest of Happiness, produced in 2005, Oliver Pietsch, a Berlin-based video artist, demonstrates which drugs society can accommodate, which it cannot, and how the story of the drugs can be…
04.02.2020 10:17
Where to go next?
out - archeology
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
Josef Jindrák
Who is S.d.Ch? A person of many interests, active in various fields—literature, theater—known for his comics and collages in the art field. A poet and playwright foremost. A loner by nature and determination, his work doesn’t meet the current trends. He always puts forth personal enunciation, although its inner structure can get very complicated. It’s pleasant that he is a normal person and a…
Read more...
out - poetry
THC Review and the Condemned Past
THC Review and the Condemned Past
Ivan Mečl
We are the fifth global party! Pítr Dragota and Viki Shock, Fragmenty geniality / Fragments of Charisma, May and June 1997. When Viki came to visit, it was only to show me some drawings and collages. It was only as an afterthought that he showed me the Czech samizdat publication from the late 1990s, THC Review. When he saw how it fascinated me, he panicked and insisted that THAT creation is…
Read more...
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Read more...
birthing pains
Who’s Afraid of Motherhood?
Who’s Afraid of Motherhood?
Zuzana Štefková
Expanding the definition of “mother” is also a space for reducing pressure and for potential liberation.1 Carol Stabile The year was 2003, and in the deep forests of Lapák in the Kladno area, a woman in the later phase of pregnancy stopped along the path. As part of the “Artists in the Woods” exhibit, passers-by could catch a glimpse of her round belly, which she exposed especially for them in…
Read more...
Books, video, editions and artworks that might interest you Go to e-shop
Vytištěno bíle na černém, kvalitním a pevném igelitu. Ilustroval Ivan Mečl.
More info...
3,80 EUR
4 USD
2001, 27.9 x 35.5 cm, Painting on Canvas
More info...
555,60 EUR
585 USD
More info...
6,50 EUR
7 USD
Red Dancer on Stage, 1988, acrylic painting on canvas, 102 x 86 cm, on frame
More info...
2 200 EUR
2 317 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Citation of the day. Publisher is not liable for any mental and physical states which may arise after reading the quote.

Enlightenment is always late.
CONTACTS AND VISITOR INFORMATION The entire editorial staff contacts

DIVUS
NOVÁ PERLA
Kyjov 36-37, 407 47 Krásná Lípa
Čzech Republic

 

GALLERY
perla@divus.cz, +420 222 264 830, +420 606 606 425
open from Wednesday to Sunday between 10am to 6pm
and on appointment.

 

CAFÉ & BOOKSHOP
shop@divus.cz, +420 222 264 830, +420 606 606 425
open from Wednesday to Sunday between 10am to 10pm
and on appointment.

 

STUDO & PRINTING
studio@divus.cz, +420 222 264 830, +420 602 269 888
open from Monday to Friday between 10am to 6pm

 

DIVUS PUBLISHING
Ivan Mečl, ivan@divus.cz, +420 602 269 888

 

UMĚLEC MAGAZINE
Palo Fabuš, umelec@divus.cz

DIVUS LONDON
Arch 8, Resolution Way, Deptford
London SE8 4NT, United Kingdom

news@divus.org.uk, +44 (0) 7526 902 082

 

DIVUS BERLIN
berlin@divus.cz


DIVUS WIEN
wien@divus.cz


DIVUS MEXICO CITY
mexico@divus.cz


DIVUS BARCELONA
barcelona@divus.cz

DIVUS MOSCOW & MINSK
alena@divus.cz

DIVUS NEWSLETTER SUBSCRIPTION
Divus We Are Rising National Gallery For You! Go to Kyjov by Krásná Lípa no.37.