Milena Dimitrova

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Přehled příspěvků autora Milena Dimitrova

	Milena Dimitrova \| profile \| 01.02.2011
	MAGDA TÓTHOVÁ
	Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…

	Milena Dimitrova \| geometry \| 01.01.2011
	TILLMAN KAISER: ABSTRACT POP-CULTURE
	It is a well-known fact that we think in terms of categories. But if we open them up, that which was dubious and ambiguous begins to be interesting. We start to reflect, to take a closer look, and–while our eye tries to sort and arrange–we re-evaluate. For these reasons, categories should occasionally be subjected to such a procedure. The art of Tillman Kaiser possesses a certain ambiguity; his…

	Milena Dimitrova \| scholarship \| 01.02.2009
	THE VERTICAL AND THE HORIZONTAL OF LOOKING EAST.
	Vienna‘s Akademie der bildenden Künste, within the scope of a course on “Post Conceptual Art Practices,” hosted a seminar on “Writing Central European Art History,” casting a critical look at the subject, contributions from which are now available in print. Apart from its integration of socio-political themes, the seminar was quite interesting in its own right. Topics covered included modernism,…

Milena Dimitrova | editorial | 01.02.2009

UMĚLEC IN AUSTRIA

It was chance that led me to the editorship of this journal; and then, the fact that I had grown up in one particular small town in Austria, one that before many years was known only for its high church-tower and later for one Herr Schicklgruber, somehow fitted into the liking of oblique facts which is characteristic for Umelec. And so the publisher forced me to work on the task of an Austrian…

	Milena Dimitrova \| review \| 01.01.2009
	HOMELAND DECAY
	The impulse for this article was provided by the magazine’s publisher as we were discussing the books I'd been reading, in search of a general overview of modern art and the modernist avant-gardes of central and Eastern Europe. My search ended in failure: these books caused only confusion. They did not provide orientation. For one, many countries in southeastern Europe were hardly discussed in…

	Milena Dimitrova \| review \| 01.01.2009
	AT ARM’S LENGTH
	Contemporary art that engages with Eastern Europe tends to be viewed from a purely Western perspective. Bulgarian artist Kamen Stoyanov, an artist as an observer, makes no attempt to evade this question. Vienna’s MUMOK in Vienna played host last year to the exhibition “at arms length” by Stoyanov, in connection with the awards ceremony of the Viennafair. This exhibit took as its theme the…

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04.02.2020 10:17

Slavka Kneppo:

Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...

Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.

Star Wars, I.

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Nuvish: Perlimpimpim Sous Vide (le dernier cri)

Citation of the day. Publisher is not liable for any mental and physical states which may arise after reading the quote.
“	Enlightenment is always late.