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Přehled příspěvků autora Susanne Altmann

Leipzig Painters-A Critical Commentary from the Current Contemporary Art Stronghold of Leipzig Susanne Altmann | Hype und Malerei | 01.02.2005
LEIPZIG PAINTERS-A CRITICAL COMMENTARY FROM THE CURRENT CONTEMPORARY ART STRONGHOLD OF LEIPZIG
When the annual students’ exhibition of the Leipzig Academy of Arts (HGB) occured in February, it was clear to all participants that more was at stake this time than in years previous. The year 2004 had surprised (not only) the city of Leipzig with the unprecedented hype surrounding the artistic output from the German city—especially with respect to painting within the HGB milieu. In fact, so…
The Leipzig Lens Goes Amerika Susanne Altmann | photography | 01.02.2005
THE LEIPZIG LENS GOES AMERIKA
The Leipzig Academy of Visual Arts has blossomed into one of the most exciting locations for photographers in Germany—and is exhibiting nationwide self-consciousness in the process.Whereas once the city coughed in the thick smog of East German industry, those clouds have slowly lifted over Leipzig. Likewise, the public attention on painting from the Leipzig Art Academy has somewhat obscured a…
Artists Strike Back – Responses to Symptoms of Economic Misery Societies between capitalism and the past 1 Susanne Altmann | studie | 01.03.2004
ARTISTS STRIKE BACK – RESPONSES TO SYMPTOMS OF ECONOMIC MISERY SOCIETIES BETWEEN CAPITALISM AND THE PAST 1
The author is an art historian, writer & independent curator,based in Dresden/Germany. This article is the result of a research fellowship at the University of Oxford/Green College (funded by Reuters) in 2004. An extended German version of the text will be printed in the book "Cultural Territories," published by Galerie für Zeitgenössische Kunst Leipzig & Bundeskulturstiftung in 2004 A different…

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Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.
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