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	Kenneth Goldsmith \| solutions \| 19.11.2012 15:29
	MY CAREER IN POETRY OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE INSTITUTION
	An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.

	Mark Fisher \| solutions \| 01.02.2011
	TERMINATOR VS. AVATAR: NOTES ON ACCELERATIONISM
	Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…

	Octavian Esanu \| solutions \| 01.02.2011
	ON ARTIVISM (IN BETWEEN CULTURE AND POLITICS)
	I To be among those Moldovans (a word that even the Microsoft Office spell-checker does not want to recognize) who call themselves “contemporary artists” is at times an awkward experience—for what is today called “contemporary art” seems to avoid places that lack vibrant business, financial opportunities and markets, or at least abundant fossil fuel reserves. To be a Moldovan activist…

	Palo Fabuš \| solutions \| 01.02.2010
	ANTONIO NEGRI IN THE PORCELAIN WORKSHOP
	If we ask ourselves what (if any) unique message has been bequeathed to us by postmodern theory, the hardest work would be agreeing on what that message is. Its usefulness cannot be reduced to words like diffusion, ambiguity, mystification or mere skepticism; in all likelihood we would look for a solution in vain. The Italian neomarxist and political philosopher Antonio Negri, a leading…

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04.02.2020 10:17

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Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...

Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.

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