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Umělec 2/1999

	Umělec magazine Ročník 1999, 2 2,50 EUR 3 USD
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Petra Nováková-Ondreičková | art project | 01.02.1999

WEAPONS

Vladan Šír | q & a | 01.02.1999

WAITING GAME AT THE ART SCHOOL (INTERVIEW WITH TOMÁŠ RULLER, VUT BRNO’S FINE ARTS FACULTY DEAN)

In 1992, Tomáš Ruller was one of the founders of the Faculty of Fine Arts (FFA) at the Technical College in Brno (VUT Brno). Between 1992 and 1993, he transformed the video department into video-multimedia-performance department. In 1998, he was elected the Faculty’s dean and initiated its transformation. After one year in his post, i.e. the first third of his three-year term, Ruller faces a…

Ivan Mečl | interior | 01.02.1999

…….AND BAGS OF GARLIC WILL LAND ON YOUR HEADS

Vladan Šír | obchod | 01.02.1999

JAKÉ BUDE PŘÍŠTÍ ARCO?

Carl Segan | paralell | 01.02.1999

MENTAL NOSTALGIA IN THE TREETOPS

	Miloš Vojtěchovský \| artist \| 01.02.1999
	METRO AND AMERICA
	"Martin Kippenberger’s MetroNet-Connection project which he was developing several years before his death in 1997 consists in design and realization of seven sculptural installations representing architectural variations of metro entrances and exits. Each of them is, or actually was, on a different place, looks differently, is adjusted to fit the character and context of the location. All of them…

	Lenka Lindaurová \| gallery \| 01.02.1999
	CZECH PRE-Y2K EXHIBITION SEASON
	"The exhibition season is part of what is called the exhibition operations (this expression has already become domestic despite it being absolutely ugly). In fact it is its output, one of the last parts of the chain that is aimed to be consumed by the public. The viewer does not take notice of what is going on behind the scenes as he/she perceives the galleries’ exhibitions as their shop-windows.…

	Umělec \| project \| 01.02.1999
	LUKASHENKO ON WATER (A PROJECT BY REDAS DIRZHYS)
	During last year’s River and Communication project, Redas Dirzhys launched a gigantic portrait of the Byelorussian president Alexander Lukashenko into water of the Nemunas river near the Lithuanian city of Alytus. The size of the portrait reached 250 sq. meters and for this reason, it had to be first constructed on a bridge above water and then slowly launched into the river. A portrait of…

	Tim Gilman-Ševčík \| brooklyn \| 01.02.1999
	WARD SHELLEY AT FLIPSIDE GALLERY, BROOKLYN
	"“I can’t go on. I’ll go on.“ Samuel Beckett’s line says it best. This desperate utterance, a declaration of unwilling survival, captures the nature of the work of Ward Shelley in his show at this small Brooklyn gallery. The space is filled with crashing of his metal sculptures, which are made of old appliances and street junk, as they fail and fail again. One piece, Floor Standing Ashtray, is…

	Simona Vladíková \| focus \| 01.02.1999
	PROMISCUITY OF ART AND ART OF PROMISCUITY

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04.02.2020 10:17

Slavka Kneppo:

Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...

Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.

Star Wars, I.

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Stu Mead: Fountain

Citation of the day. Publisher is not liable for any mental and physical states which may arise after reading the quote.
“	Enlightenment is always late.