Revista Umělec 2004/3 >> Summer in the City, Random Collection Lista de todas las ediciones
 Summer in the City, Random Collection
Revista Umělec
Año 2004, 3
6,50 EUR
7 USD
Enviar la edición impresa:
Suscripción de orden

Summer in the City, Random Collection

Revista Umělec 2004/3

01.03.2004

Lenka Vítková | info | en cs

Martin Horák, Summer in the City
KW, Random Collection
Šternberk City Gallery
August 8 – September 3, 2004

Martin Horák, from Ostrava, lives in Olomouc, where he was a curator of exhibitions in Divadlo hudby (the local music theatre) and in streetcars (The Bezhlavý jezdec (headless horsemen) group, along with Ivan Vosecký, Pavel Brázda), now he works in a secondhand bookshop and is a conceptual artist.
Igor Korpaczewski (a.k.a. KW), lives in Prague and is a figurative artist and recently also a musician who teaches at Prague’s Academy of Fine Arts.
At the end of summer, Horák and Korpaczewski had their works presented together in the City Gallery in Šternberk, (a town in Northern Moravia with 15,000 people). The Šternberk City Gallery has a high-quality program and a lovely location that itself is the cause of the gallery’s insecure future. It’s wanted to be transformed into a beautiful apartment. The curator, Michal Kalhous, carefully counts the visitors into the gallery, for its provider.
Martin Horák once said about his objects and collages that he creates them in an instant, as other people would, light a cigarette. He, instead, takes some object, or settles his gaze on it. Suddenly the thing surprises him, evokes a memory, and coalesces with something, which he has on his mind or somewhere around. On the walls of the gallery, Horák’s works were mixed with similarly unpretentious drawings and paintings.
For the first time, KW exhibited only sketches, smaller paintings, drawings, and passing records. Some of them were or will be a starting point to a picture, but they looked completely unusual—as a map of contemplations, feelings and possibilities, which is not as obvious in the final pictures.

Altogether it resembled a game with words and associations; if, for example, you say “night,” Korpaczewski would notice a lifeless body of a young god, and Horák would turn on a light bulb inside a plastic junk food box.




Comentarios

Actualmente no hay comentarios

Agregar nuevo comentario

Artículos recomendados

My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
Terminator vs. Avatar: Notes on Accelerationism Terminator vs. Avatar: Notes on Accelerationism
Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…
Contents 2016/1 Contents 2016/1
Contents of the new issue.
Tunelling Culture II Tunelling Culture II