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Umělec 3/2004

	Revista Umělec Ročník 2004, 3 6,50 EUR 7 USD
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Artículos

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	Jiří Ptáček \| 01.03.2004
	WHAT’S SRI CHINMOY DOING HERE?
	Not long ago, when I was thinking about writing an essay about the artwork of Sri Chinmoy, Jesper Alvaer, a Norwegian artist living in Prague, stopped by. Alvaer took an interest in this, and we began to discuss Chinmoy’s drawings and paintings. He told me an interesting story.Once Alvaer attended a Chinmoy meeting. As he watched Chinmoy sitting on a platform, he caught sight of a woman nearby…

	Peter Weibel \| Teoría \| 01.03.2004
	MASOCHISM AS A POST-PHALLIC MANDATE
	By Peter Weibel 1 The cruel woman The masochistic construct of the femme fatale and the vamp between nature and machine Duino elegy 1 And if I cried, who'd listen to me in those angelic orders? Even if one of them suddenly held me to his heart, I'd vanish in his overwhelming presence. Because beauty's nothing but the start of terror we can hardly bear, and we adore it because of the serene…

	Jiří Ptáček \| Nuevas Caras \| 01.03.2004
	MATÌJ SMETANA
	Matìj Smetana was born in Prague in 1980, spent his fourth year in the painting studio of Petr Kvíèala at the Faculty of visual arts in Brno. Each of his realizations are based on one peculiar, cunning conception. He sets himself free topics but only when they have clear limitations. He’s already wittily expressed himself with Occam’s razor project. He drew pictures of knives on small cuttings of…

	Jiří Ptáček \| Nuevas Caras \| 01.03.2004
	PETRA PÌTILETÁ
	Petra Pìtiletá was born in Prague in 1978, studied at the VŠUP in Prague, 1999-2000 (studio of Pavel Nešleha), later she studied at the Academy of Fine Arts in Prague in the studio of Jiøí David. After she left the Academy, she switched to the studio of Veronika Bromová. She worked briefly with her colleagues Jana Doubková, Sylvie Málová and Magdalena Peševová. Pìtiletá and Peševová were curators…

	Lenka Vítková \| 01.03.2004
	FRONT HALL DOOR

	Jiří Ptáček \| Teoría \| 01.03.2004
	A USER’S GUIDE TO CAPITALISM
	Thompson, Nato – Sholette, Gregory (ed.): The Interventionists. User’s Manual for the Creative Disruption of Everyday Life. Cambridge 2004. When you buy a book and find out that you have accidentally purchased an exhibition catalogue, you might be disappointed. You missed the first experience with art. When you later find out that the reading of the catalogue doesn’t have to follow the seeing of…

	Andrew Hunt \| Teoría \| 01.03.2004
	SASNAL
	Wilhelm Sasnal Camden Arts Centre, London 25 June to 22 August 2004 With sixteen paintings shown in a precarious sequence, first impressions of Wilhelm Sasnal’s exhibition at Camden Arts Centre were of its filmic and fragmented sense of narrative. In some respects this came as no surprise; the paintings, contained within a large rectangular room snapped from one scene to another, and presented…

	Ciprian Muresan \| art project \| 01.03.2004
	UN CHIEN ANDALOU
	Un chien Andalou

	Lenka Vítková \| info \| 01.03.2004
	SUMMER IN THE CITY, RANDOM COLLECTION
	Martin Horák, Summer in the City KW, Random Collection Šternberk City Gallery August 8 – September 3, 2004 Martin Horák, from Ostrava, lives in Olomouc, where he was a curator of exhibitions in Divadlo hudby (the local music theatre) and in streetcars (The Bezhlavý jezdec (headless horsemen) group, along with Ivan Vosecký, Pavel Brázda), now he works in a secondhand bookshop and is a conceptual…

Jiří Ptáček | info | 01.03.2004

PAS TO THE CIVILIAN ZONE

Production of Contemporary Activities, (Produkce aktivit současnosti -- PAS) dates back to 2000. Its goal is to enter into the “civil/citizen zone.” In June, 2004, PAS invited six artists to prepare instructions to make art. Anatolij Osmolovskij (Russia), Liam Gillick (Great Britain), Monika Sosnowská (Poland), Oliver Musovik (Macedonia), Roman Ondák (Slovakia) and Swetlana Hegerová (Germany)…

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