Umělec 2002/3 >> Live Broadcast Просмотр всех номеров
Журнал Umělec
Год 2002, 3
6,50 EUR
7 USD
Послать печатную версию номера:
Получить подписку

Live Broadcast

Umělec 2002/3

01.03.2002

Tomáš Pospiszyl | focus | en cs

"The documentary “The Scandal of Amazona” was the work of scriptwriter Jiří Martin and director František Arlet. With typical demagogy, the program concealed many facts and blamed international imperialism or the British secret service. But Burian and Konečný’s interesting statements made up the bulk of the show. In one sequence, Konečný flipped through the book feigning surprise over images that he must have known for at least three years. “This is preposterous,” Konečný said. “I made this, but all the other things are added. All those symbols. The rest is different and made by somebody else. Jesus Christ! Well, this now … None of us has anything to do with this. We called it — the sequels we made for the commission — Amazona. This is awful, it’s dreadful. What a bastard! This is unbelievable.”
The commentary for the program said: “The painters obeyed [Sadecký] completely. We live in a time when it’s fashionable to look up to the West and sell behind the borders rather than at home; to break through in a world where they don’t talk about the artist’s consciousness related to society, where freedom of creation rules and nobody asks anybody whether this or that corresponds with morale or taste. ‘Kitsch or not, taste or not; forget about socialist morale, so long as it makes money and the accounts fill up with marks, pounds and dollars instead of crowns.’ So they drew without constraint, just to make it there, to be famous in Western circles. And Sadecký is in a hurry: ‘Now is the time to make it in the Western markets. God knows what will happen next year.’”
“I considered him my own son, I’d almost say,” Konečný said. “But after what he’s doing today... No, not today; he obviously prepared this much earlier. I think this is the lowest thing a person can do.”
"





Комментарии

Статья не была прокомментирована

Добавить новый комментарий

Рекомендуемые статьи

The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
Nick Land – An Experiment in Inhumanism Nick Land – An Experiment in Inhumanism
Nick Land was a British philosopher but is no longer, though he is not dead. The almost neurotic fervor with which he scratched at the scars of reality has seduced more than a few promising academics onto the path of art that offends in its originality. The texts that he has left behind are reliably revolting and boring, and impel us to castrate their categorization as “mere” literature.
Contents 2016/1 Contents 2016/1
Contents of the new issue.
Le Dernier Cri and the black penis of Marseille Le Dernier Cri and the black penis of Marseille
We’re constantly hearing that someone would like to do some joint project, organize something together, some event, but… damn, how to put it... we really like what you’re doing but it might piss someone off back home. Sure, it’s true that every now and then someone gets kicked out of this institution or that institute for organizing something with Divus, but weren’t they actually terribly self…