Umělec 2007/3 >> MARÍA ROBERTA Просмотр всех номеров
MARÍA ROBERTA
Журнал Umělec
Год 2007, 3
6,50 EUR
7 USD
Послать печатную версию номера:
Получить подписку

MARÍA ROBERTA

Umělec 2007/3

01.03.2007

Gabriel Frugone, Pencilan | comics | en cs de es

“The great illustrator Gabriel Frugone, author of the books “Gabriel Frugone, el mejor dibujante del mundo” (Gabriel Frugone the greatest Illustrator of the world) and “Gabriel Frugone, el artista mas creativo del universo” (Gabriel Frugone the the most creative artist of the universe) is responsible for a new masterpiece under the sobriquet of Pencilan. This great artist, procured by hundreds of countries (see Google), is admired in few of them and paid in almost none.”
It is with this hyperbolic declaration that Gabriel Frugone, known better as Pencilan, begins his blog (www.pencilanblog.blogspot.com). There, he provides plenty of commentaries about his work as an illustrator, comic and design artist—a reflection of his own personality.
Born in Uruguay, Gabriel Frugone arrived in Mexico a couple of years ago. I remember that when asked about his visit, he responded ambiguously, with a wry smile, that he came only to “know and see what there is to do.”
I do not know if the “see what there is to do” includes the physical, mental and sexual deviations we can find in his latest comics. If that were the case, there would be several other instances, particularly legal, to straighten them up.
From the Familia Leger to Los Adorables Ositos Nomecoma, Frugone makes fun of the pretentiousness and the most pathetic clichés that inadvertently, but persistently, flood our cultural environment. Music. TV. Soaps. Cartoons. Frugone's stories are some kind of high-on-crack pop art, plagued with references to philosophical bibliographies or, untouchable popular characters like Little Strawberry Rose, that lovable girl with a strawberry as a hat who decorated my bedspread during an infancy that knew nothing of sexual, cyclopean, predator teddy bears.
Nowadays, Gabriel Frugone is entirely devoted to designating, for himself, “universal” days that honor his artistic achievements; he produces a constant stream of hilarious and demented cartoons in addition to designing graphic works for periodicals and some other cultural products in Mexico—and the universe.
(www45.brinkster.com/tiruliru/)




Комментарии

Статья не была прокомментирована

Добавить новый комментарий

Рекомендуемые статьи

My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
Nick Land – An Experiment in Inhumanism Nick Land – An Experiment in Inhumanism
Nick Land was a British philosopher but is no longer, though he is not dead. The almost neurotic fervor with which he scratched at the scars of reality has seduced more than a few promising academics onto the path of art that offends in its originality. The texts that he has left behind are reliably revolting and boring, and impel us to castrate their categorization as “mere” literature.
No Future For Censorship No Future For Censorship
Author dreaming of a future without censorship we have never got rid of. It seems, that people don‘t care while it grows stronger again.
An unsuccessful co-production An unsuccessful co-production
If you know your way around, you might discover that every month and maybe even every week you stand the chance to receive money for your cultural project. Successful applicants have enough money, average applicants have enough to keep their mouths shut, and the unsuccessful ones are kept in check by the chance that they might get lucky in the future. One natural result has been the emergence of…