Zeitschrift Umělec 2002/4 >> From the journal of M.P. Übersicht aller Ausgaben
From the journal of M.P.
Zeitschrift Umělec
Jahrgang 2002, 4
6,50 EUR
7 USD
Die Printausgabe schicken an:
Abo bestellen

From the journal of M.P.

Zeitschrift Umělec 2002/4

01.04.2002

Alenka Kotzmanová a Michal Pěchouček | art projects | en cs

June the 3rd, 2002
... delight, spring mood, thankful state. I would almost not have believed it, but it is reality: I stand before a new decision, a new turning point. And I had thought that it is the end and I would just wander. Amazing, the blissful feeling that I am standing before a new difficulty, is here again, is once more present. And thanks to what? I received a message that all will be O.K. I have to call A.K. and meet with her tomorrow.

June the 4th, 2002
The sky has opened again. I was so conventional. But now will come the purification / no it has to come/ — the pure form, connection of both parts. It has to work out, it will work out, I can get some more plastic bags, and if I don’t not succumb to the inebriation and confusion that distance me from my self.
A.K. has told me that she doesn’t have a specific vision but still has to wait for the thoughts to ripen. She was ecstatic about my plastic bags and she had perhaps the same thought - to not do anything intentionally beautiful!

June the 5th, 2002
A day of quiet composure, reading, calmness and immersion in myself.

June the 6th, 2002
I came out of a heavy nervousness, slowly back into my calm rhythm.
Tomorrow then we leave for Stuttgart.
A balance of mind — not an indifference.

June the 7th, 2002
It is 9 a.m. I stand in front of Display Gallery, where we have a meeting.
Nobody is here yet. Should I run away? To not say anything to anyone?
Perhaps not even to A.K.? That would be crazy, boys from Display would say. Nevertheless they are decided. What do I want then? Advantages, disadvantages, art?
It is 10 a.m. and we all sit in a car now. Maybe near Plzen. I do not know. I have to give up / and only with the price of sacrifices / photonovels, for which I have a talent and became a painter.
We are almost by the border.
What will A.K. exhibit, anyway?
She has been playing with the video camera for some time now and with a bottle of Fernet. While still in Prague she said that she is “internally full” of photographic snapshots and does not drink hard alcohol.
What do such artists have to do with cinematography? Should we again yield to Dionysian ecstasy? What do we miss? Real values, individuality, originals.
We stopped at several gas stations. Fantastic plastic bags! Purification! German nature slowly brings order to the chaos. A.K. finished the bottle and sleeps soundly. All is fate. Creation is also a fate!

June the 8th, 2002
Half an hour before the opening. Mean, cruel, narcotic hangover. Last night I did not manage to write a journal entry. Absolute art, pure form. So then, what happened? Miracle! Kind acceptance, German hospitality. A.K. against my warning used a belly-full of this hospitality. Almost went mentally collapsed but soon felt better. She vomited for a long time. And to not get it on my plastic bags, my carefully collected material, we would be still be cleaning the gallery.
But back to the exhibition.
The first visitors come. A.K. is completely O.K. and in fluent English welcomes everyone. She announces our mutual video story that we made yesterday. It is called Prager Friedhof and takes place at a nearby cemetery. German neatness! When A.K. recovered herself last night we had to take those plastic bags somewhere. No explanations. And now everyone watches how the plastic bags have something, some mysterious content that A.K. spreads among the graves. German patience! Someone asks — what is in those plastic bags? Here I am on thin ice myself as well. And what about the art? Should I give it up? No — I will not give up, yet.
Because the art lives, until it is controlled by the principle of inner necessity!!

June the 9th, 2002
We drive back to Prague. The result of one exhibition: immense canyon between art and the audience. Attempt to have a laugh over a sad fact.




Kommentar

Der Artikel ist bisher nicht kommentiert worden

Neuen Kommentar einfügen

Empfohlene Artikel

Afrikanische Vampire im Zeitalter der Globalisierung Afrikanische Vampire im Zeitalter der Globalisierung
"In Kamerun wimmelt es von Gerüchten über Zombie-Arbeiter, die sich auf unsichtbaren Plantagen in obskurer Nachtschicht-Ökonomie plagen."
Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
Missglückte Koproduktion Missglückte Koproduktion
Wenn man sich gut orientiert, findet man heraus, dass man jeden Monat und vielleicht jede Woche die Chance hat, Geld für sein Kulturprojekt zu bekommen. Erfolgreiche Antragsteller haben genug Geld, durchschnittlich so viel, dass sie Ruhe geben, und die Erfolglosen werden von der Chance in Schach gehalten. Ganz natürlich sind also Agenturen nur mit dem Ziel entstanden, diese Fonds zu beantragen…
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
04.02.2020 10:17
Wohin weiter?
offside - vielseitig
S.d.Ch, Einzelgängertum und Randkultur  (Die Generation der 1970 Geborenen)
S.d.Ch, Einzelgängertum und Randkultur (Die Generation der 1970 Geborenen)
Josef Jindrák
Wer ist S.d.Ch? Eine Person mit vielen Interessen, aktiv in diversen Gebieten: In der Literatur, auf der Bühne, in der Musik und mit seinen Comics und Kollagen auch in der bildenden Kunst. In erster Linie aber Dichter und Dramatiker. Sein Charakter und seine Entschlossenheit machen ihn zum Einzelgänger. Sein Werk überschneidet sich nicht mit aktuellen Trends. Immer stellt er seine persönliche…
Weiterlesen …
offside - hanfverse
Die THC-Revue – Verschmähte Vergangenheit
Die THC-Revue – Verschmähte Vergangenheit
Ivan Mečl
Wir sind der fünfte Erdteil! Pítr Dragota und Viki Shock, Genialitätsfragmente (Fragmenty geniality), Mai/Juni 1997 Viki kam eigentlich vorbei, um mir Zeichnungen und Collagen zu zeigen. Nur so zur Ergänzung ließ er mich die im Samizdat (Selbstverlag) entstandene THC-Revue von Ende der Neunzigerjahre durchblättern. Als die mich begeisterte, erschrak er und sagte, dieses Schaffen sei ein…
Weiterlesen …
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Weiterlesen …
mütter
Wer hat Angst vorm Muttersein?
Wer hat Angst vorm Muttersein?
Zuzana Štefková
Die Vermehrung von Definitionen des Begriffes „Mutter“ stellt zugleich einen Ort wachsender Unterdrückung wie auch der potenziellen Befreiung dar.1 Carol Stabile Man schrieb das Jahr 2003, im dichten Gesträuch des Waldes bei Kladno (Mittelböhmen) stand am Wegesrand eine Frau im fortgeschrittenen Stadium der Schwangerschaft. Passanten konnten ein Aufblitzen ihres sich wölbenden Bauchs erblicken,…
Weiterlesen …
Bücher und Medien, die Sie interessieren könnten Zum e-shop
AP (Art of Punk) is a strange duo. A mix of English legend in photographs and the artistic post-Punk from Minneapolis, US. Both...
Mehr Informationen ...
54,40 EUR
57 USD
1995, 35.5 x 43 cm (3 Pages), Pen & Ink Drawing
Mehr Informationen ...
894 EUR
941 USD
This artist and editor-in-chieftress of the magazine Bříza (Birch) has come out with a new and original erotic project. It...
Mehr Informationen ...
10 EUR
11 USD
Limited edition of 10. Size 100 x 70 cm. Black print on durable white foil.
Mehr Informationen ...
75 EUR
79 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Zitat des Tages Der Herausgeber haftet nicht für psychische und physische Zustände, die nach Lesen des Zitats auftreten können.

Die Begierde hält niemals ihre Versprechen.
KONTAKTE UND INFORMATIONEN FÜR DIE BESUCHER Kontakte Redaktion

DIVUS BERLIN
in ZWITSCHERMASCHINE
Potsdamer Str. 161
10783 Berlin, Germany
berlin@divus.cz

 

Geöffnet Mittwoch - Samstag, 14:00 - 20:00

 

Ivan Mečl
ivan@divus.cz, +49 (0) 1512 9088 150

DIVUS LONDON
Enclave 5, 50 Resolution Way
London SE8 4AL, United Kingdom
news@divus.org.uk, +44 (0)7583 392144
Open Wednesday to Saturday 12 – 6 pm.

 

DIVUS PRAHA
Bubenská 1, 170 00 Praha 7, Czech Republic
divus@divus.cz, +420 245 006 420

Open daily except Sundays from 11am to 10pm

 

DIVUS WIEN
wien@divus.cz

DIVUS MEXICO CITY
mexico@divus.cz

DIVUS BARCELONA
barcelona@divus.cz
DIVUS MOSCOW & MINSK
alena@divus.cz

DIVUS NEWSPAPER IN DIE E-MAIL
Divus Potsdamer Str. 161 | Neu Divus in Zwitschermaschine, galerie und buchhandlug in Berlin! | Mit U2 nach Bülowstraße