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Vít Havránek

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Přehled příspěvků autora Vít Havránek

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	Vít Havránek \| Entrevista \| 01.03.2004
	GET ALONG WITH WHAT WE HAVE
	Jiří Kovanda’s activities in the seventies became a significant pillar of Czech alternative culture. Recently, Kovanda has begun to be recognized abroad, particularly for his personal approach to urban public places; he has been presented at a number of international exhibitions in Europe. The actions, however, are merely aspects of many stages. In the eighties he painted, drew and, in the…

	Vít Havránek \| Entrevista \| 01.01.2004
	SUBJECTIVE PATTERNS OF CONSUMPTION
	Jan Šerých’s contribution to the catalogue for the Zlínský Salon consisted of two photographic details of his Saab, model 900. For his exhibition in Černý pavouk in Ostrava, Šerých collected photographs of jet planes and from this collection he made large-format A1 prints. For several months Šerých gathered empty food packaging: bottles, detergents, milk cartons, butter boxes and from these he…

	Vít Havránek \| Entrevista \| 01.01.2002
	SITUATIONS, CIRCUMSTANCES AND PARTICIPS
	"“It was at the time when I was working with the phenomena of surface adjustments, transparency, reflection — reflection of a situation within an image and the theme on the margin of the image — that was when I started using stencils, spray paint, varnished surfaces and sheets of plastic.” And so Czech artist Tomáš Vaněk abandoned oils to look for something else, something traditional canvas…

	Vít Havránek \| Entrevista \| 01.03.2001
	CLONED IDENTITY
	"Those familiar with the Czech and Slovak art scenes may recognize the name Stano Filko. And very likely those same people would, without hesitation, and mostly based on his initial oeuvre, place him in the 1960s context – rightfully so. Few recall, however, what exactly it was that this artist did back then, and perhaps only a handful of Slovak art historians know what he`s been working on…

Vít Havránek | Teoría | 01.01.2001

DIY ON THE RISE

"Ján Mančuška, I Don’t Like Going to the Bathroom Anywhere Else But Here, Dům Umění–České Budějovice, 18 January – 18 February 2001Dům Umění in České Budějovice this year put together Ján Mančuška’s biggest solo show to date, entitled I Don’t Like Going to the Bathroom Anywhere Else But Here. The gallery has over time developed an excellent exhibition program alternating international and Czech…

Vít Havránek | 01.06.2000

ZA 2 MINUTY STARTUJEME

	Vít Havránek \| focus \| 01.02.1999
	COSMOS OF STANO FILKO

Vít Havránek | reviews | 01.01.1999

TITILLATING EMOTIONS (VERONIKA BROMOVÁ)

	Vít Havránek \| reviews \| 01.01.1999
	YAN-PEI MING
	In France, painting has been for a long time experiencing insecurity. If an artist actually manages to enter the context of contemporary art, one gets a feeling that it happens so out of curatorial need to fill up the wall, or to spice up the installation-conceptual character of current exhibitions by throwing in one or two canvases (e.g. the Le Consortium exhibition at Centre Pompidou). In this…

	Vít Havránek \| public art \| 01.06.1998
	PRAGUE 1998 – A SIGNIFICANT CALL FOR COMMUNICATION WITH THE PUBLIC
	”Young people with a spray in their hands have not missed the wall in Vršovická Street. This wall will be the first one where the City Hall intends to try out its experiment. ‘We have arranged an artist who will decorated the sprayed walls with a range of colors,’ said the district office’s secretary Vilém Čermák. A bouquet of blooming meadow flowers will appear on the concrete wall within the…

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04.02.2020 10:17

Slavka Kneppo:

Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...

Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.

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“	Enlightenment is always late.