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Umělec 1/2003

	Revista Umělec Ročník 2003, 1 6,50 EUR 7 USD
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Artículos

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	Anaid Demir \| q & a \| 01.01.2003
	PARIS IS ELSEWHERE
	Cécile Paris opens her worlds to us through her seemingly simple photographs and video works.She is called Paris after the city, but this does not mean that she confines herself to its borders. She loves movement, learning about the country, storytelling, and she enjoys giving others the chance to travel. Each picture opens up a spiritual perspective. She makes photos as she breathes. In the…

	Jesper Alvaer \| art project \| 01.01.2003
	FLYINGCITY
	Flyingcity is a group of artists which researches and criticizes the urban culture and the reality of urban geography. Flyingcity is specifically interested in the transformation of the urban community influenced by the formation of urban structure in Seoul, and the alternative way of thinking about the city of ongoing growth conditioned by over-density and over-accumulation. In the meantime, it…

	Jana Kalinová \| news \| 01.01.2003
	JANA KNOWS OR NOBODY WILL LIKE ME
	They threw me out of school because I regularly missed final exams, and now the end of May came around and with the hectic charge of the month I was reminded of exam time once again. It all started with the awarding of the new Tranzit Award. Only the fact that in half a year it would repeat itself again stops me here from calling it the Event of the Year. All the same it was an event most of all…

Jiří Ptáček | news | 01.01.2003

TAKE THE MONEY AND RUN

Tranzit Tranzit is a new activity for the support of contemporary art in central and eastern Europe. The colossus Erste Bank Group has patronage over it and so it is possible to expect that it will not get into the usual financial problems and will be able to accomplish its plan, which has no time frame. And it seems that after a long time we are not talking about a petty project, but a…

	Jiří Ptáček \| news \| 01.01.2003
	ALVAER UNDER AN ARDENT SUN
	If we are to believe that the Tranzit prize-winner was to be kept secret until a special announcement, then Norwegian artist Jesper Alvaer, who resides in the Czech Republic, is suspiciously clairvoyant. For on the very day the three-member committee officially crowned him, he gave an accompanying seminar for Tranzit. Not in the muggy auditorium, but directly in the environment he wished to…

	Jiří Havlíček \| news \| 01.01.2003
	ONE RIDE TO ZORILOR
	Reportage from a study abroad stay in Romania Where ever you look once, it is nearly the same. Nor can you change much. You once told someone similar stories, or you definitely already heard them somewhere before. This one’s about a little girl who’s always asking questions, but she only receives answers that apparently have nothing to do with the question, at least not in the standard meaning of…

	Linda Fournier, Lenka Kavanová \| news \| 01.01.2003
	SUMMER ON LOUISE WEISS STREET I LOUISE WEISS
	"According to the materials of Linda Fournierwritten by Lenka Kavanová Louise Weiss Street, as a very important platform of contemporary art, has prepared a summer program corresponding to its reputation as the backers of all that is “in” in Paris. The street offers activities joining different fields of art, full of active and creative streams that have spread through the periphery of Paris from…

	Dunja Christochowitz \| news \| 01.01.2003
	INSIDE THE BLACK CUBE
	“I make technology look ridiculous”Nam June PaikIf you aim your gun at somebody, even if you do it in a playfull manner, you may hurt yourself fatally. When President Bush came to visit Berlin in May 2002, German security forces were on red alert. In Bejing, a young man destroys the windows of his family’s already discarded country house, so his dead relatives’ souls can escape the locus delicti,…

	Audrey Wong \| art project \| 01.01.2003
	NOTES FROM A TINY ASIAN ISLAND
	"In recent years, independent art spaces in Asia seem to feel the urgency of networking, building relationships among themselves. Perhaps this is the result of Asian art gaining more “currency” in the global art circuit — as curators (from the west) programming for major art shows include more Asian artists. The independent art spaces, often the first place to identify new artists, obviously end…

	Elisabeth Maas \| commentary \| 01.01.2003
	NO THANKS: PRAGUE BIENNALE
	"The Prague Biennale was a major failure. This alone is something to be sad about, as it is important for a first Biennale to be at least honorable, as it was in Berlin a few years ago. Why? It is important for the establishment of the show. The general ideological idea of a regular show should be apparent right from the start, so that the audience, artists, curators and critics can imagine being…

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Slavka Kneppo:

Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...

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