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Umělec 1/2005

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	Silvie Vondřejcová \| tragedy \| 01.01.2005
	STOLEN
	Thursday, July 8, 2004, Prague. In the apartment After that robbery yesterday I slowly started to realize how unprepared I was. Unprepared for the fact that something bad could happen. And to me, someone who always follows the rules so carefully! I am naive, that’s for sure. I believed in the illusion that if I watched my things carefully, locked the house and never bothered anyone, nothing…

	Alice Červinková a Kateřina Šaldová \| theory \| 01.01.2005
	I USE THAT WORD FEMINISM ONLY INTIMATELY AND WHEN IT IS DARK…
	(from an investigative interview) Recently, we presented two themes as part of a research project (1) aimed at women working in today’s art world: The relationship of women artists towards feminism, and the concept of women’s art. We worked on the presumption that the women’s art scene is created collectively by women. In examining these themes, we talked with the artists themselves—artists,…

	Věra Sokolová \| theory \| 01.01.2005
	VOLUNTARY INVISIBILITY?
	Visual Arts and Lesbian Identity There have always been artists who are lesbians. There have always been lesbians who make art. Putting aside debates about whether it is possible to call lesbians women, who had desired or loved other women before the modern category of a lesbian was established in the end of the 19th century, there have always been “lesbian artists.” However, definitions and…

	Theopisti Stylianou \| theory \| 01.01.2005
	"HOUSTON, WE HAVE A PROBLEM"
	Bringing celestialart philosophy production down to the earthly sphere of adult art education Is art philosophy a distant, blinking star in the sky of art education or a shining sun? As a practicing adult art educator I can assure you that the transition from art philosophy to art education practice is not that easy. With this article I attempt to explain why this is the case by demonstrating…

	Jaroslav Žila \| reportage \| 01.01.2005
	COLORFUL ADVENTURES
	Teaching art is not easy. The art of teaching requires a different gift than the art of creating. We would like to introduce you to our brief encounter with artists who have children attending a special school in Ostrava. We were interested in the distinctive works that emerged from work frequently created by artists and children at the same time. In their works one can recognize the hand of…

	Radek Wohlmuth \| profile \| 01.01.2005
	FAMILY BONDS MOTHERS AND FATHERS, LTD.
	Hey Dad, I’m warning you. You write something about me in an article once more, and that’s it. Joseph Heller: Good as Gold We know each other so little and we have so many things to forgive. Erich Maria Remarque: Shadows in Paradise Lucie Krejčová, Lenka Klodová, Marek Rejent and Martin Péč. Four people, four artists, one group: Matky a Otcové (Mothers and Fathers). They might have combined…

	Lenka Vítková \| phenomenon \| 01.01.2005
	ABOUT CHILDREN
	Some artists have no children, others do, but you can’t tell that from their work. There are some artists who do have children, and it shows in their work. This article is about them. If the subject of a work is an artist’s parents, the work reflects the artist’s roots. The realm of partner relationships is understood as a natural source. When an artist includes their own child in their work…

	Lenka Klodová \| phenomenon \| 01.01.2005
	ALL DOLLED UP
	Why is it that something that might be simply a toy, a doll, can play such an influential role in the formation of young girls and even sometimes continue to fill a need in the emotional psyche of women? “Kiss me baby and Kiss Kiss Baby are selling well and everyone seems to love them...” from an open letter by P. Heath to collectors Dolls. And Playing with them too—they may very well be the…

	Lenka Klodová \| study \| 01.01.2005
	AUTHENTICALLY LIVED STEREOTYPES: THE HIDDEN PHENOMENON OF MARRIAGE ART
	I am fascinated by the performances of Wladyslaw Kazmierczak and Ewa Rybska. Their many presentations are different, they are mostly political with poetic delivery of their subject matter, but I’m interested in them all in one particular way. When I see a middle-aged man and woman in tuxedos standing next to each other, I feel a strange tension emanating. Couples make me nervous, after all—much…

	Pavlína Fichta Čierna \| commentary \| 01.01.2005
	THREE MEN FOR LIFE AND ME
	The fourth man that I made sure to stay quiet about was my neighbor Kamil. It took us some time to get used to each other. He was a lonely old man, born in the town of Rosina. I was an outsider, in isolation brought on by motherhood. He would always get me angry as he’d lean out the window on his crutches asking audaciously where I was going and why. He died this year, on a sunny day in May. He…

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Цитата дня Издатель не несет ответственности за какие-либо психические и физические состояния и расстройства, которые могут возникнуть по прочтении цитаты.
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