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Přehled příspěvků autora Vladan Šír

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Vladan Šír | news | 01.02.2001

MORI FINDS DIRECTOR

The Japanese construction tycoon, Minoru Mori, cut a deal in May with Moderna Museet director David Elliot, who will become the head of the planned Mori Art Museum at the Mori Art Center in Tokyo. In six years Elliot was able to turn the Stockholm-based museum of modern art into one of Europe’s most respected institutions. (During his tenure, incidentally, the museum organized a major exhibition…

Vladan Šír | news | 01.02.2001

ART RACES

This year’s art competitions are entering their final phases in a number of European countries. The Turner Prize finalists were announced in London at the end of May. A jury in Bratislava will make public its own winner on June 20, and by then Pra-gue will have just about short-listed its candidates for the Chalupecký Award. The Slovak art competition, previously known as the Tonal Award, has now…

Vladan Šír | news | 01.01.2001

LA RÉSISTANCE LIVES ON

Demonstrations against the already oldish black and blue coalition in Austria have long abated. The squares in Vienna and other cities are no longer filled with hundreds of thousands of protestors. All that’s left as a testament to the once powerful resistance movement are a few websites on the Internet. Gradually the majority of the population has become reconciled to the fact that government…

	Vladan Šír \| focus \| 01.06.2000
	DEPORTATION CLASS
	At a time when both the German socialist government and even the conservative opposition are calling for the acceptance of immigrants into the country in an effort to avoid economic decline, refugees are still being deported by the federal police forces. The expulsion of refugees brings border issues to the heart of country as refugees are often shipped out through border checkpoints located at…

	Vladan Šír \| Perfil \| 01.06.2000
	JOKER ON THE LOOSE (IEPE RUBINGH)
	They took him to the police station for interrogation. But he’d counted on this and had consulted his lawyer beforehand who explained to him all the possible penalties, which ranged from a pardon to fines and imprisonment. He was anxious to find out what scenario the uniformed peacekeepers would pursue. Still, he and his lawyer would plead for the mildest possible punishment. After all, he…

Vladan Šír | media | 01.06.2000

BOJ O POVRCH

Vladan Šír | media | 01.05.2000

EXPLODING CINEMA

Vladan Šír | news | 01.04.2000

IN CECA WE TRUST

"Ten years after the disintegration of former Yugoslavia it seems that the once brotherly republics only have one last thing in common: a drink called Cockta. During our trip to the Balkans, we first came across Cockta in Belgrade, and then we noticed with surprise this local version of a cola appearing in menus in Sarajevo, Makarska Riviera and Ljubljana. The citizens of the newly independent…

Vladan Šír | news | 01.04.2000

INTERVIEW WIHT RAŠA TODOSIJEVIĆ

"What is the situation for young artists?Many young artists have left Serbia. For me it’s OK; I can travel; I have contact with people though I’m completely broke. But it’s worse for the youngest artists who have finished the Academy. They have no money; it’s difficult to travel around; there’s no information, no magazines, no contact with foreign artists and so on. We can expect the effect of…

	Vladan Šír \| q&a \| 01.03.2000
	ANYBODY CAN BE AN ARTIST (AN INTERVIEW WITH IVAN VOSECKÝ)
	Painter Ivan Vosecký first introduced himself last year and then again this year with two independent exhibitions at Veletržní Palác of the National Gallery and at the private MXM Gallery in Prague. Your exhibition at Veletržní Palác included rather hostile statements. Why did you decide to phrase some of the inscriptions at the exhibition so forcefully: “Stay at Home,” “Try LSD” or “You’re All…

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Přehled rubrik autora Vladan Šír

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04.02.2020 10:17

Slavka Kneppo:

Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...

Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.

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