There’s 130 kilos of fat, muscles, brain & raw power on the Serbian contemporary art scene, all molded together into a 175-cm tall, 44-year-old body. It’s owner is known by a countless number of different names, including Bamboo, Mexican, Groom, Big Pain in the Ass, but most of all he’s known as MICROBE!… Hero of the losers, fighter for the rights of the dispossessed, folk artist, entertainer…
Weiterlesen
| Umělec 3/2003 | Übersicht aller Ausgaben | ||||
"In the Serbian art scene there is no one quite like Raša Todosijević. Since the 1970s he has worked as an autonomous being, in spite of all the indifference, malediction and even success he has received. His critical position towards nationalism and violence during the dissolution of Yugoslavia only confirmed his reputation. Serbian theoretician Zoran Erić questioned him about the past and…
Weiterlesen |
Den gesamten Inhalt anzeigen 
"The 8th Biennial in Istanbul,
Sept. 18 – Nov. 16, 2003
A reasonable multicultural show — that’s how the biennial in Istanbul could be characterized. Last year the Turkish organizers requested American curator Dan Cameron to put on the biggest exhibition in the country. This employee of New York’s New Museum of Contemporary Art demonstrated to the skeptics of international monster actions…
Weiterlesen
Die Printausgabe von Umělec schicken an:
|
DIVUS INTERNATIONAL:
Divus at Unearthing the Music in Lisbon
DIVUS LONDON:
My Itinerary Has Been Monotonous for Quite a While
DIVUS LONDON:
Zinovy Zinik: On Sound Monsters
q&a
japan
in transition
geschichte
neue gesichter
interview
performance
art projects
comics
krieg - kaukasus
info
editorial
essay
q & a
kommentar
u-sobě
art project
The End of the Western Concept
exhibition
anarchie
rezension
vorgestellt
neuigkeiten
focus
theme
zeitökonomie
theory
profil
media
theorie
New book by I.M.Jirous in English at our online bookshop.