Umělec 1/2012 | Просмотр всех номеров | ||||
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."
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Censorship could be defined as something that happens everywhere in the world, but not in America. There thus remains the need to explain those strange phenomena that readers of American newspapers sometimes encounter. We will ask Europeans; perhaps they will recognize something ancient in them.
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Somewhere between the demonization and romantization of Romany culture, Delaine Le Bas seeks out a fragile reality that hides more than one cliché, stereotype and simplification. The diverse innocuousness of her vibrantly colorful installation is complemented by a reading of equally colorful news stories.
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"In the best dictatorial tradition, Mugabe lives holed up in his luxurious urban palace in Harare. At night, the street leading past the giant property with the high wall and thick barbed wire is closed to traffic. During the day, people are allowed to drive down this important road and past the heavily guarded house. But woe to those who stop! Or take pictures! More than a few people have ended up dead as a result."
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